Women, Method Acting, and the Hollywood Film

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A01=Keri Walsh
acting pedagogy research
Actors Studio
American screen acting
Author_Keri Walsh
Barbara Loden
Big Knife
Category=ATDC
Category=JBCC1
Category=JBCT
Category=JBSF
Chapman Report
cultural studies methodology
Diary Of Anne Frank
Ellen Burstyn
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminism
feminist film criticism
feminist method acting analysis
Feminist realism
film
Fred Zinnemann
gender performance theory
Geraldine Page
Golden Eye
Harris's Performance
Harris’s Performance
Hollywood film
Hunter's Performance
Hunter’s Performance
Jane Fonda
Jimmy Dean
Jo Van Fleet
Julie Harris
Kim Hunter
Lee Strasberg
method acting
Method Actors
Method Women
Patricia Neal
postwar American cinema
screen gender politics
Shakespeare's Richard III
Shakespeare’s Richard III
Shelley Winters
Stanislavski
Stanislavskij
Strasberg
Strasberg's film
Street Car Named Desire
Streetcar Named Desire
Van Daan
Veteran's Wife
Veteran’s Wife
Wagon Train
Wild River
Williams's Play
Williams’s Play
Young Man

Product details

  • ISBN 9780367636067
  • Weight: 231g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Apr 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Women, Method Acting, and the Hollywood Film is the first study dedicated to understanding the work of female Method actors on film.

While Method acting on film has typically been associated with the explosive machismo of actors like Marlon Brando and Robert De Niro, this book explores an alternate tradition within the Method—the work that women from the Actors Studio did in Hollywood. Covering the period from the end of the Second World War until the 1970s, this study shows how the women associated with the Actors Studio increasingly used Method acting in ways that were compatible with their burgeoning feminist political commitments and developed a style of feminist Method acting. The book examines the complex intersection of Method acting, sexuality, and gender by analyzing performances such as Kim Hunter’s in A Streetcar Named Desire, Julie Harris’s in The Member of the Wedding, Shelley Winters’s in The Big Knife, Geraldine Page’s in Sweet Bird of Youth, and Jane Fonda’s in Coming Home. Challenging the longstanding assumption that Method acting’s approaches were harmful to women and incompatible with feminism, this book argues that some of Hollywood’s most interesting female actors, and leading feminists, emerged from the Actors Studio in the period between the 1950s and the 1970s.

Written for students and scholars of Film Studies, Cultural Studies, Theatre and Performance Studies, and Gender Studies, Women, Method Acting, and the Hollywood Film reshapes the way we think of a central strain in American screen acting, and in doing so, allows women a new stake in that tradition.

Keri Walsh is Associate Professor of English and Director of the Institute of Irish Studies at Fordham University in New York. She is the author of Mickey Rourke in the BFI Film Stars Series and editor of The Letters of Sylvia Beach. In 2018 she was named an Academy Film Scholar by the Academy of Motion Picture Arts and Sciences.

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