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Women, Modernism and British Poetry, 1910–1939
Women, Modernism and British Poetry, 1910–1939
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A01=Jane Dowson
Alice Meynell
anna
Author_Jane Dowson
avant-garde poetic forms
British women poets
Category=DC
Category=DSBH
Clair Wills
Collected Poems
Complete Poetical Works
Contemporary Women's Poetry
Dorothy Wellesley
edith
Edith Sitwell
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Farmer's Bride
feminist literary criticism
gender identity in poetry
Georgian Poetry
Gold Coast Customs
Helen Rootham
holtby
Iris Tree
laura
Laura Riding
Mall Orca
marianne
Marianne Moore
modernist literary networks
Naomi Mitchison
riding
sitwell
Thirties Poets
transatlantic modernism studies
Vice Versa
Victorian Women Poets
Victorian Women's Poetry
Vita Sackville West
War Time
wickham
winifred
Winifred Holtby
woman
women poets modernist era analysis
Women's Poetry
Young Men
Product details
- ISBN 9781138256453
- Weight: 560g
- Dimensions: 153 x 219mm
- Publication Date: 11 Nov 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
Primarily a literary history, Women, Modernism and British Poetry, 1910-1939 provides a timely discussion of individual women poets who have become, or are becoming, well-known as their works are reprinted but about whom little has yet been written. This volume recognizes the contributions, overlooked previously, of such British poets as Anna Wickham, Nancy Cunard, Edith Sitwell, Mina Loy, Charlotte Mew, May Sinclair, Vita Sackville-West and Sylvia Townsend Warner; and the impact of such American poets as H.D., Amy Lowell, Edna St. Vincent Millay, Marianne Moore and Laura Riding on literary practice in Britain. This book primarily maps the poetry scene in Britain but identifies the significance of the network of writers between London, New York and Paris. It assesses women's participation in the diversity of modernist developments which include avant-garde experiments, quiet, but subtly challenging, formalism and assertive 'new woman' voices. It not only chronicles women's poetry but also their publications and involvement in running presses, bookshops and writing criticism. Although historically situated, it is written from the perspective of contemporary debates concerning the interface of gender and modernism. The author argues that a cohering aesthetic of the poetry is a denial of femininity through various evasions of gendered identity such as masking, male and female impersonations and the rupturing of realist modes.
Jane Dowson is a Reader in Twentieth-Century Literature in the Department of English at De Montfort University, UK.
Women, Modernism and British Poetry, 1910–1939
€68.99
