Women on the Edge

Regular price €192.20
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
2ND MESSENGER
Acropolis Hill
agamemnon
ancient Greek society
athenian
Athenian Drama
Athenian Tragedy
Category=DD
Category=DSBB
Category=DSG
Category=JBSF
chorus
Chorus Sing
civic ritual performance
classical reception studies
Comic Playwright Aristophanes
Cross-gender Performance
Dead Man
drama
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
eq_society-politics
Father Atreus
feminist literary analysis
Free Women
Friend To Friend
gender roles in antiquity
Greek Camp
Helen's Agency
Helen's Sojourn
Helen's Story
helens
Helen’s Agency
Helen’s Sojourn
Helen’s Story
Hera Akraia
Human Suffering
Iphigenia's Sacrifice
Iphigenia’s Sacrifice
King Proteus
lord
Lord Agamemnon
Maiden Daughter
Married Woman
myth interpretation
play
satyr
Satyr Play
story
tragedy
Vice Versa
women in classical tragedy research
Young Men

Product details

  • ISBN 9780415907736
  • Weight: 1110g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Feb 1999
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Women on the Edge, a collection of Alcestis, Medea, Helen, and Iphegenia at Aulis, provides a broad sample of Euripides' plays focusing on women, and spans the chronology of his surviving works, from the earliest, to his last, incomplete, and posthumously produced masterpiece. Each play shows women in various roles--slave, unmarried girl, devoted wife, alienated wife, mother, daughter--providing a range of evidence about the kinds of meaning and effects the category woman conveyed in ancient Athens. The female protagonists in these plays test the boundaries--literal and conceptual--of their lives.

Although women are often represented in tragedy as powerful and free in their thoughts, speech and actions, real Athenian women were apparently expected to live unseen and silent, under control of fathers and husbands, with little political or economic power. Women in tragedy often disrupt "normal" life by their words and actions: they speak out boldly, tell lies, cause public unrest, violate custom, defy orders, even kill. Female characters in tragedy take actions, and raise issues central to the plays in which they appear, sometimes in strong opposition to male characters. The four plays in this collection offer examples of women who support the status quo and women who oppose and disrupt it; sometimes these are the same characters.

Ruby Blondell is Associate Professor of Classics at the University of Washington. Mary-Kay Gamel is Associate Professor of Classics and Comparative Literature at the University of California, Santa-Cruz. Nancy SorkinRabinowitz is Professor of Comparative Literature at Hamilton College. Bella Vivante is Senior Lecturer in Humanities at the University of Arizona.