Women Photographers and Feminist Aesthetics

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A01=Claire Raymond
Advocate Feminism
Arbus's Photographs
Arbus’s Photographs
Archival Digital Print
Author_Claire Raymond
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Category=JBCT
Claire Raymond
Claude Cahun
Clementina Hawarden
Courtesy Galerie Lelong
Diane Arbus
Dorothea Lange
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Feminist Aesthetic
feminist aesthetics
feminist art history
feminist photographic theory research
Galerie Lelong
Gelatin Silver Print
gender representation photography
Goldin's Photographs
Goldin’s Photographs
Hawarden's Photographs
Hawarden’s Photographs
history of photography
Indigenous North Americans
indigenous visual narratives
intersectional analysis art
Jack Shainman Gallery
Julia Margaret Cameron
Lange's Photograph
Lange’s Photograph
Lee Miller
Louisiana Project
Nan Goldin
Nicki Lee
Photographic Oeuvre
Photographic Subjects
photography theory
Rineke Dijkstra
Silueta Series
surrealism in photography
trans women artists
visual culture studies
Weems's Work
Weems’s Work
Women Photographers
Woodman's Photographs
Woodman's Work
Woodman’s Photographs
Woodman’s Work
Young Man

Product details

  • ISBN 9781138644274
  • Weight: 560g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers, including cis- and trans-woman photographers.

Claire Raymond provides close readings of key photographs spanning the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. She offers original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work in relation to gender, class, and race. The book also pays close attention to the way in which indigenous North Americans have been represented through photography and the ways in which contemporary Native American women photographers respond to this history.

Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image.

This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender.

Claire Raymond teaches Art History at the University of Virginia. She is the author of Francesca Woodman’s Dark Gaze: the Diazotypes and Other Late Works; Witnessing Sadism in Texts of the American South; and Francesca Woodman and the Kantian Sublime. Her research focuses on aesthetics, poetics, and the intersections of cultural trauma and representation.

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