Women Readers in French Painting 1870-1890

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A01=Kathryn Brown
art
Art Historical Literature
Author_Kathryn Brown
body
bridgeman
Bridgeman Art Library
Category=AGA
Degas
depiction of women readers in art
Edmond De Goncourt
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
female
Female Literacy
female literacy impact
Female Reading
Female Reading Practices
French art history
French Painting
gender studies
Germinie Lacerteux
Gogh
Hortus Conclusus
Jean Jacques Henner
Les Fleurs Du Mal
library
literacy
Madame Bovary
Nineteenth Century French Painting
Nineteenth Century Print Culture
nineteenth-century modernity
Oil On Canvas
Positive Moral Influence
practices
Reader's Body
readers
Reader’s Body
reading
Reading Practices
Secret Reading
social class representation
solitary
Solitary Reading
Vincent Van Gogh
visual culture analysis
Woman Reading
Women's Reading Practices
Women’s Reading Practices

Product details

  • ISBN 9781409408758
  • Weight: 689g
  • Dimensions: 156 x 234mm
  • Publication Date: 16 Aug 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The first monograph to examine the depiction of reading women in French art of the early Third Republic, Women Readers in French Painting 1870-1890 evaluates the pictorial significance of this imagery, its critical reception, and its impact on notions of femininity and social relations. Covering a broad range of paintings, prints, and sculptures, this book shows how the liseuse was subjected to unprecedented levels of pictorial innovation by artists with widely differing aesthetic aims and styles. Depictions of readers are interpreted as contributions to changing notions of public and private life, female agency, and women's participation in cultural and political debates beyond the domestic household. This highly original book explores images of women readers from a range of social classes in both urban and rural settings. Such images are shown to have articulated concerns about the impact of female literacy on labour environments and family life while, in many cases, challenging conventions of gendered reading. Kathryn Brown also presents an alternative way of conceiving of modernity in relation to nineteenth-century art, a methodological departure from much recent art historical literature. Artists discussed range from Manet, Cassatt and Degas, to less familiar figures such as Lavieille, Carrière, Toulmouche and Tissot.

Kathryn Brown is Assistant Professor of Art History at Tilburg University, The Netherlands.

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