Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Dorothy Price
B01=Marsha Meskimmon
Category1=Non-Fiction
Category=ACX
Category=AGA
Category=GTQ
Category=JBSF1
Category=JBSF11
Category=JFFK
Category=JFFS
Category=JFSJ1
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Product details
- ISBN 9780719096716
- Weight: 413g
- Dimensions: 156 x 234mm
- Publication Date: 31 Jan 2015
- Publisher: Manchester University Press
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
This is the first anthology to bring transnational feminist theory and criticism together with women’s art practices to discuss the connections between aesthetics, gender and identity in a global world. The essays in Women, the arts and globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization. Bringing scholarly essays on gender, art and globalization together with interviews and autobiographical accounts of personal experiences, the diversity of the book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense.
Marsha Meskimmon is Professor of Modern and Contemporary Art History and Theory at Loughborough University|Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol
