Women Together/Women Apart

Regular price €38.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Tirza True Latimer
Author_Tirza True Latimer
autonomy
Category=JBSJ
collective identity
cultural analysis
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminine identity
feminine subject
feminist art
feminist theory
gender theory
historical analysis
lesbian artists
lesbian community
lesbian culture
lesbian history
lesbian identity
lesbian imagery
lesbian portraiture
lesbian solidarity
lesbian visibility
lesbianism
LGBTQ art
LGBTQ artists
LGBTQ community
LGBTQ culture
LGBTQ history
LGBTQ representation
LGBTQ visibility
Paris
queer theory
same-sex solidarity
sexual politics
visual representation
women's rights
World War I
World War II

Product details

  • ISBN 9780813535951
  • Weight: 397g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Aug 2005
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

What does it mean to look like a lesbian? Though it remains impossible to conjure a definitive image that captures the breadth of this highly nuanced term, today at least we are able to consider an array of visual representations that have been put into circulation by lesbians themselves over the last six or seven decades. In the early twentieth century, though, no notion of lesbianism as a coherent social or cultural identity yet existed.

In Women Together/Women Apart, Tirza True Latimer explores the revolutionary period between World War I and World War II when lesbian artists working in Paris began to shape the first visual models that gave lesbians a collective sense of identity and allowed them to recognize each other. Flocking to Paris from around the world, artists and performers such as Romaine Brooks, Claude Cahun, Marcel Moore, and Suzy Solidor used portraiture to theorize and visualize a "new breed" of feminine subject. The book focuses on problems of feminine and lesbian self-representation at a time and place where the rights of women to political, professional, economic, domestic, and sexual autonomy had yet to be acknowledged by the law. Under such circumstances, same-sex solidarity and relative independence from men held important political implications.

Combining gender theory with visual, cultural, and historical analysis, Latimer draws a vivid picture of the impact of sexual politics on the cultural life of Paris during this key period. The book also illuminates the far-reaching consequences of lesbian portraiture on contemporary constructions of lesbian identity.

Tirza True Latimer recently earned her Ph.D. in art history at Stanford University. Her research and curatorial interests include visual studies and gender studies.

More from this author