Women, Violence and Postmillennial Romance Fiction

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A01=Emma Roche
Adolescent Femininity
Affect Theory
Affective Dissonance
ASOS
Author_Emma Roche
Category=DSBH
Category=JBCC1
Category=JBSF
Category=JBSF11
Category=NH
Chick Lit
Christian Dior
Contemporary Fiction
Contemporary Gender Norms
contemporary gender studies
Cool Girl
cultural analysis methodology
Cultural Studies
Dead Girl
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female Rage
Fifty Shades
Fifty Shades Trilogy
gender ideology critique
Gender Studies
gender-based violence research
Genre Studies
Girlfriend Culture
Good Life
Gothic Romance
Harlequin Romance
Hegemonic Gender Ideologies
Independent Woman
Modern Gothic
MTV Video Music Award
neoliberal postfeminism
Neoliberalism
neoliberalism and romance fiction analysis
Paranormal Romance
Popular Feminism
Popular Fiction
Postfeminism
Postfeminist Culture
Postfeminist Discourses
Postfeminist Ideologies
Postfeminist Masquerade
women's empowerment discourse

Product details

  • ISBN 9781032344072
  • Weight: 260g
  • Dimensions: 174 x 246mm
  • Publication Date: 08 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book interrogates the significance of the revival and reformulation of the romance genre in the postmillennial period. Emma Roche examines how six popular novels, published between 2005 and 2015 (Twilight, Fifty Shades of Grey, Gone Girl, Sharp Objects and The Girl on the Train), reanimate and modify recognisable tropes from the romance genre to reflect a neoliberal and postfeminist cultural climate. As such, Roche argues, these novels function as crucial spaces for interrogating and challenging those contemporary gender ideologies.

Throughout the book, Roche addresses and critiques several key attributes of neoliberal postfeminism, including a pervasive emphasis on individualism and personal responsibility; an insistent requirement for self-monitoring, self-surveillance, and bodywork; the celebration of consumerism and its associated pleasures; the prescription of mandatory optimism and suppressing one’s ‘negative’ emotions; and the endorsement of choice as a primary marker of women’s empowerment. While much critical attention has been devoted to those attributes and their pernicious effects, Roche argues that one crucial repercussion has been largely overlooked in contemporary cultural criticism: how these ideologies function together to effectively sanction gender-based violence. Thus, Roche exploits textual analysis to demonstrate the subtle ways in which neoliberal postfeminism can augment women’s vulnerability to male violence.

Emma Roche completed her doctoral work at Maynooth University, Ireland, in 2021. Her research areas include gender studies and genre studies, with a particular focus on contemporary popular fiction.

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