Women Who Clothed the Stuart Queens

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17th Century
A01=Sarah A. Bendall
Anna of Denmark
Author_Sarah A. Bendall
Category=AKX
Category=JBSF1
Catherine of Braganza
consumption
Craftspeople
Elite fashion
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
Henrietta Maria
Mantua-maker
Mary of Modena
Material culture
Milliner
Mistress of the Robes
Monarchy
Office of the Robes
Patronage
Queen Anne
Queen Mary II
Royal Wardrobe
Royalty
Seamstress
Silkwoman
Social Networks
Women's labour
Women's work

Product details

  • ISBN 9781350407343
  • Dimensions: 189 x 246mm
  • Publication Date: 23 Jul 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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This study explores – for the first time – the changing professions and roles of the women who worked to clothe six Stuart queens between 1603–1714: Anna of Denmark, Henrietta Maria, Catherine of Braganza, Mary of Modena, Queen Mary II and Queen Anne.

Beautifully illustrated in full colour throughout, and using a wide range of written, visual and material sources, this book explores how changing patterns of work and consumption saw women become key producers, retailers and consumers of fashion during the 17th century, and illuminates the strong connections between the royal courts and London’s fashion marketplace.

From royal wardrobes, workrooms and laundries to workshops and retail premises in London’s bustling streets, Sarah A. Bendall highlights the integral role that women of multiple backgrounds played in the creation and maintenance of elite dress. The royal accounts show that this work was facilitated by migration, global trade, familial networks and changing guild structures, and that the patronage of queens and elite women was integral to supporting and promoting women’s rise in the fashion trades as celebrated silkwomen, tirewoman, milliners and mantua makers.

The Women Who Clothed the Stuart Queens challenges understandings of women’s work in the court, the household and the fashion marketplace, and shows how clothing played a key role in women’s economic participation in 17th and 18th-century England more broadly. It offers fascinating insights for all those interested in the history of women and gender, fashion, material culture and consumption, and, of course, to all those interested in Stuart history.

Sarah A. Bendall is Senior Lecturer at the Gender and Women’s History Research Centre, Institute for Humanities and Social Sciences, Australian Catholic University. She is the author of Shaping Femininity (Bloomsbury Visual Arts, 2021), which was shortlisted for the UK Society for Renaissance Studies biannual book prize in 2022, and co-editor of Embodied Experiences of Making in Early Modern Europe: Bodies, Gender, and Material Culture (2024).

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