Women Who Kill
Product details
- ISBN 9781350115590
- Weight: 580g
- Dimensions: 144 x 220mm
- Publication Date: 20 Feb 2020
- Publisher: Bloomsbury Publishing PLC
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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Women Who Kill explores several lines of inquiry: the female murderer as a figure that destabilizes order; the tension between criminal and victim; the relationship between crime and expression (or the lack thereof); and the paradox whereby a crime can be both an act of destruction and a creative assertion of agency. In doing so, the contributors assess the influence of feminist, queer and gender studies on mainstream television and cinema, notably in the genres (film noir, horror, melodrama) that have received the most critical attention from this perspective. They also analyse the politics of representation by considering these works of fiction in their contexts and addressing some of the ambiguities raised by postfeminism.
The book is structured in three parts: Neo-femmes Fatales; Action Babes and Monstrous Women. Films and series examined include White Men Are Cracking Up (1994); Hit & Miss (2012); Gone Girl (2014); Terminator (1984); The Walking Dead (2010); Mad Max: Fury Road (2015); Contagion (2011) and Ex Machina (2015) among others.
David Roche is Professor of Film Studies at Université Paul Valéry Montpellier 3, France and President of SERCIA. He is the author of Quentin Tarantino: Poetics and Politics of Cinematic Metafiction (2018) and Making and Remaking Horror in the 1970s and 2000s (2014), and has edited several books, including Comics and Adaptation (2018, with Benoît Mitaine and Isabelle Schmitt-Pitiot), Steven Spielberg, Hollywood Humanist & Wunderkind (2018) and Intimacy in Cinema (2014, with Isabelle Schmitt-Pitiot).
Cristelle Maury is Associate Professor at Université Toulouse Jean Jaurès, France. She has published many articles on classical film noir and on the relationships between feminist film criticism and films. She has co-edited three issues of Miranda, on new forms of adaptations, on circulations and transfers in film, and on mapping gender.
