Women Who Knew Too Much

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A01=Tania Modleski
Anny Ondra
Author_Tania Modleski
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Category=JBCT
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cinema studies
cinematic gender roles
Cyril Ritchard
Da Game
Daphne Du
Daphne Du Maurier
De Lauretis
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eq_history
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Eric Rohmer
Female Spectator
Feminist Film Theory
feminist readings of Hitchcock films
feminist theory
film studies
film theory
Gavin Elster
Gaylyn Studlar
gender and film
Hansom Cabs
hitchcock
Hitchcock's Films
Hitchcock's Work
Hitchcock’s Films
Hitchcock’s Work
Lemoine Luccioni
Marion's Sister
Marion’s Sister
Miss Lonelyhearts
narrative subversion
patriarchal unconscious
Psychoanalytic Feminist Film Theory
psychoanalytic film analysis
Queer Male
queer theory
Raymond Bellour
Rear Window
Rebecca's Death
Rebecca’s Death
Robert Doisneau
spectatorship theory
Virginia Wright Wexman
visual pleasure studies
women and film
Young Man

Product details

  • ISBN 9781138920323
  • Weight: 430g
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Sep 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory.

Tania Modleski is Florence R. Scott Professor of English at the University of Southern California. She is the author of Loving with a Vengeance and Feminism Without Women, and of numerous articles on feminism, film, and popular culture.

David Greven is Professor of English Language and Literature at the University of South Carolina. He is the author of numerous books on both film and literature and has written extensively on Hitchcock.

Ned Schantz is Associate Professor of English at McGill University and is at work on a study of Hitchcock and hospitality. He is the author of Gossip, Letters, Phones: The Scandal of Female Networks in Film and Literature (Oxford University Press, 2008).

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