Women Writers and the Occult in Literature and Culture

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A01=Miriam Wallraven
Alice Bailey
ANNIE BESANT
Author_Miriam Wallraven
Category=DSBF
Category=DSBH
Category=JBSF1
Category=QRA
Category=QRYC
Category=QRYX5
Contemporary Society
Dead Man
Dion Fortune
Divine Feminine
Divine Women
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Esoteric
esoteric feminism
Esotericism
Fortune's Novels
Fortune’s Novels
Gender
gendered spirituality
goddess movement research
Goddess Spirituality
Golden Dawn
Great Mop
Hearing Trumpet
Koot Hoomi
Literature
Lolly Willowes
Lunatic Fringe
Mother's Daughter
Mother’s Daughter
Occult
Occult Discourses
Occult Literature
Occult Practitioner
Occult Texts
occult women in modern literature
Occultism
Priestess
psychoanalytic interpretation
Religion
Research
Rose Flint
Sea Priestess
spiritual literature analysis
Spiritualism
Starhawk
Theosophy
theosophy studies
Unclassifiable Classic
Utopian Poetics
Western Esoteric Tradition
Wicca
Witch
Women Writers
Women's Spirituality
Women’s Spirituality
Young Man

Product details

  • ISBN 9781138824188
  • Weight: 476g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Jun 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Examining the intersection of occult spirituality, text, and gender, this book provides a compelling analysis of the occult revival in literature from the 1880s through the course of the twentieth century. Bestselling novels such as The Da Vinci Code play with magic and the fascination of hidden knowledge, while occult and esoteric subjects have become very visible in literature during the twentieth century. This study analyses literature by women occultists such as Alice Bailey, Dion Fortune, and Starhawk, and revisits texts with occult motifs by canonical authors such as Sylvia Townsend Warner, Leonora Carrington, and Angela Carter. This material, which has never been analysed in a literary context, covers influential movements such as Theosophy, Spiritualism, Golden Dawn, Wicca, and Goddess spirituality. Wallraven engages with the question of how literature functions as the medium for creating occult worlds and powerful identities, particularly the female Lucifer, witch, priestess, and Goddess. Based on the concept of ancient wisdom, the occult in literature also incorporates topical discourses of the twentieth century, including psychoanalysis, feminism, pacifism, and ecology. Hence, as an ever-evolving discursive universe, it presents alternatives to religious truth claims that often lead to various forms of fundamentalism that we encounter today. This book offers a ground-breaking approach to interpreting the forms and functions of occult texts for scholars and students of literary and cultural studies, religious studies, sociology, and gender studies.

Miriam Wallraven is Assistant Professor of English at the University of Tübingen, Germany. She is the author of A Writing Halfway between Theory and Fiction: Mediating Feminism from the Seventeenth to the Twentieth Century (2007) and many articles on gender and cultural studies, spirituality and literature, and travel literature.

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