Women's Contributions to Visual Culture, 1918-1939
Regular price
€68.99
14 days return policy
Shipping & Delivery
academy
advisory
Alice Strickland
Anna Airy
Anna Maria Carlevaris
archival art research
artists
Brancusi
Britta C. Dwyer
carola
Carola Giedion Welcker
Category=AB
Category=AG
Category=AGA
Centro Escolar
Chariklia-Glafki Gotsi
Christa-Maria Lerm Hayes
Constantin Brancusi
Cycladic Culture
deepwell
Dora Gordine
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethel Walker
Ethnic Heads
female agency in artistic production
feminist art history
gender and art theory
giedion-welcker
hibernian
Imperial War Museum
interwar modernism
Jonathan Black
Karen E. Brown
katy
Katy Deepwell
Mural Movement
National Library
Oil On Canvas
Reyes's Image
Reyes's Mural
Reyes’s Image
Reyes’s Mural
royal
Royal Hibernian Academy
Scottish Women's Hospitals
Scottish Women’s Hospitals
Secret Rose
Sir Richard Winstedt
Terri Geis
urban visual studies
war
War Artists Advisory Committee
Women Artists
women artists international
Women's Section
Women's War Work
Women’s Section
Women’s War Work
Young Men
Product details
- ISBN 9781138261822
- Weight: 370g
- Dimensions: 156 x 234mm
- Publication Date: 15 Nov 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
An exploration of women’s contributions to visual culture in major urban centres between the wars (1918-1939), this collection sheds new light on women’s relationships with the processes of modernism and modernization. Women’s work in a variety of mediums is explored, including design, print, illustration, murals, poster art, and costume design, as well as more conventional forms of painting and sculpture. International in scope, the volume discusses artists and exhibitions from the United Kingdom, Greece, Mexico, France, Ireland and the United States. The contributors place a strong emphasis on archival research yet each addresses contemporary concerns in feminist art history. By focusing on a very specific time period, the essays place a central concern on the history and theory of art and gender and are united by their coherent focus on women’s role in the agency and mediation of artistic production in the interwar period.
Karen E. Brown is IRCHSS Post-Doctoral Fellow, School of Art History and Cultural Policy, University College Dublin.
