Women's Diaries as Narrative in the Nineteenth-Century Novel

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19th Century
A01=Catherine Delafield
Allan Armadale
Author_Catherine Delafield
Bernard Duyfhuizen
Britain
Burney's Diary
Category=DS
Category=DSBF
Category=DSK
Category=JBSF1
Catherine De Bourbon
Diaries
diary as literary form
Domestic
Emily Bronte
Emily Bronte's Wuthering Heights
Emily Shore
epistolary narrative analysis
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
female diarist narrative strategies
Fictional Diary
Fictional Vehicle
gendered authorship theory
Helen's Diary
Joyce Hemlow
Kathryn Gleadle
Literature
Mrs Henry Wood
nineteenth-century print culture
Non-fictional Diary
Novel
Perfect Murder
Poor Miss Finch
sensation fiction studies
Spiritual
University ofToronto Quarterly
Valerie Raoul
Victorian women's writing
Wildfell Hall
Woman's Diary
Women
Women's Diary Writing
Young Man

Product details

  • ISBN 9781138674202
  • Weight: 370g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Dec 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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First published in 2009, this book investigates the cultural significance of nineteenth-century women’s writing and reading practices. Beginning with an examination of non-fictional diaries and the practice of diary writing, it assesses the interaction between the fictional diary and other forms of literary production such as epistolary narrative, the periodical, the factual document and sensation fiction. The discrepancies between the private diary and its use as a narrative device are explored through the writings of Frances Burney, Elizabeth Gaskell, Anne Brontë, Dinah Craik, Wilkie Collins and Bram Stoker. It also considers women as writers, readers and subjects and demonstrates ways in which women could become performers of their own story through a narrative method which was authorized by their femininity and at the same time allowed them to challenge the myth of domestic womanhood.

This book will be of interest to those studying 19th century literature and women in literature.

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