Women's Music for the Screen

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Amanda Brown
AMCOS
Anne Dudley
Assassin's Creed
Assassin's Creed Series
Assassin’s Creed
Assassin’s Creed Series
Bebe Barron
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Cider House Rules
cinema studies
composition
Delia Derbyshire
Dense
Electronic Music
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Extracurricular
Extraterrestrial
female composers
film composers
film industry
film music
film scores
film scores by women
film scoring
Forbidden Planet
Game Developer
Game Music
Laura Karpman
Lisa Gerrard
Lolita Ritmanis
Main Character
Mica Levi
music and gender
music in television
Nobuo Uematsu
Playback
Rachel Portman
Radiophonic Workshop
Screen Composer
Screen Industries
Screen Music
Shirley Walker
soundtracks
Street Fighter II
Timeless
Unit Delta
video game music
Wendy Carlos
Winifred Phillips
women composers
women in film
women in media
women in music
women's studies
Young Men

Product details

  • ISBN 9780367210267
  • Weight: 360g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Aug 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Women’s Music for the Screen: Diverse Narratives in Sound shines a long-overdue light on the works and lives of female-identifying screen composers. Bringing together composer profiles, exclusive interview excerpts, and industry case studies, this volume showcases their achievements and reflects on the systemic gender biases women have faced in an industry that has long excluded them. Across 16 essays, an international array of contributors present a wealth of research data, biographical content, and musical analysis of film, television, and video game scores to understand how the industry excludes women, the consequences of these deficits, and why such inequities persist – and to document women’s rich contributions to screen music in diverse styles and genres.

The chapters amplify the voices of women composers including Bebe Barron, Delia Derbyshire, Wendy Carlos, Anne Dudley, Rachel Portman, Hildur Guðnadóttir, Mica Levi, Winifred Phillips, and more. From the mid-twentieth century to the present, and from classic Hollywood scores to pioneering electronic music, these are the stories and achievements of the women who have managed to forge successful careers in a male-dominated arena. Suitable for researchers, educators, and students alike, Women’s Music for the Screen urges the screen music industry to consider these sounds and stories in a way it hasn’t before: as voices that more accurately reflect the world we all share.

Felicity Wilcox is a Senior Lecturer in Music and Sound Design at the University of Technology Sydney.