Women’s Patronage and Gendered Cultural Networks in Early Modern Europe

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A01=Adelina Modesti
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agency
art and politics
art history
artistic commissions
Author_Adelina Modesti
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Cardinal Leopoldo De
Carlo Dolci
Category1=Non-Fiction
Category=ACQ
Category=AGA
Category=HBJD
Category=HBLH
Category=JBSF1
Category=JFSJ1
Category=NHD
Christina Strunck
collecting
COP=United Kingdom
Cosimo III
cultural transmission networks
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dynasty
early modern patronage
Elisabetta Sirani
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Europe
female art collectors
Ferdinando II
Ferdinando Ii De
Florence
Galleria Palatina
gender studies
gendered cultural practices
Giovanna Garzoni
Grand Ducal
Grand Ducal Crown
Grand Duchess
Grand Duke
Grand Duke Cosimo
Grand Duke Ferdinando
Grand Duke Ferdinando II
Italy
Justus Sustermans
La Quiete
Language_English
Mademoiselle De Guise
matrilineal
matrilineal influence
Medici
Medici Court
Medici court studies
Medici Women
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pan-European matronage
patronage
Pitti Palace
Poggio Imperiale
power structures
Price_€100 and above
PS=Active
seventeenth century
seventeenth-century Italy research
sociocultural networks
softlaunch
Stampe Degli Uffizi
Wall Hangings
women in European court culture
women's architectural patronage
women's cultural patronage
women's studies

Product details

  • ISBN 9781138712522
  • Weight: 880g
  • Dimensions: 174 x 246mm
  • Publication Date: 16 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book examines the sociocultural networks between the courts of early modern Italy and Europe, focusing on the Florentine Medici court, and the cultural patronage and international gendered networks developed by the Grand Duchess of Tuscany, Vittoria della Rovere.

Adelina Modesti uses Grand Duchess Vittoria as an exemplar of pan-European 'matronage' and proposes a new matrilineal model of patronage in the early modern period, one in which women become not only the mediators but also the architects of public taste and the transmitters of cultural capital. The book will be the first comprehensive monographic study of this important cultural figure.

This study will be of interest to scholars working in art history, gender studies, Renaissance studies and seventeenth-century Italy.

Adelina Modesti is a Honorary Associate in Art History in the Department of Archaeology and History at La Trobe University, Melbourne.

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