Women's Transborder Cinema

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A01=Esha Niyogi De
Action Heroine Film Bangladesh
AIDS Movie
Aparna Sen
Auteur Theory
Author_Esha Niyogi De
Babita
Bangladesh
Bengali cinema
Bollywood
Brand Market
Category=ATFX
Category=JBSF11
Category=KNX
Category=NHF
Censorship
Courtesans and Screendance
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eq_history
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ethnography
Feminist Horror Cinema
Feminist War Cinema
Gauri Shinde
Hereditary Performing Classes
India
Kanan Devi
Kolkata
Nargis Akhter
Noor Jehan
Pakistan
Parveen Rizvi
Production Culture
Rubaiyat Hossain
Sai Paranjpye
Shamim Ara
South Asia
Suchanda
Sungeeta
Video Piracy and Sexual Politics
Women Film Pioneers.
Women's Action Cinema
Women's Film Companies
Women's Working-Girl Melodrama
Women’s Action Cinema
Women’s Film Companies
Women’s Working-Girl Melodrama

Product details

  • ISBN 9780252088285
  • Weight: 481g
  • Dimensions: 156 x 235mm
  • Publication Date: 10 Dec 2024
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
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Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region? Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh.

De uses film tropes to examine the ways women directors and film entrepreneurs claim creative control within the contexts of anti-colonial nationalism and global capitalism. The region’s fictional cinemas have become staging grounds for postcolonialism, with colonial and local hierarchies merged into new imperial formations. De’s analysis shows how the gendered intersections of inequity and opportunity shape women’s fiction filmmaking while illuminating the impact of state and market formations on the process.

Innovative and essential, Women’s Transborder Cinema examines the works of South Asia’s women filmmakers from a regional perspective.

Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the coeditor of South Asian Filmscapes: Transregional Encounters and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought.

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