Women's Wit on the Early Modern Stage

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1600s
1660-1730
1700s
18th century studies
A01=Beth Cortese
Aphra Behn
Author_Beth Cortese
authority
Category=ATD
Category=ATY
Category=DS
Category=DSBD
Category=DSG
Category=DSK
Category=JBSF1
Category=WH
Catherine Trotter
collaboration
comedies
comic heroine
creative abilities
critique
cultural role
culture
Delarivier Manley
eighteenth-century drama
Elizabeth Polwhele
empowerment
English drama
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_humour
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
European literature
female agency
female spectators
feminized perspective
forthcoming
Frances Boothby
French literature
gender
gender performance
gender roles
gender stereotypes
literary studies
Mary Pix
onstage
patriarchy
performance
playwrights
Restoration drama
seventeenth-century drama
social commentary
societal role
society
stage
stereotypes
Susanna Centlivre
theater
theater and performance
theater studies
theatre
tragedies
tragicomedies
wit
women characters
women empowerment
women playwrights
women's creativity
women's intellect
women's revenge
Women's Studies
women's voices

Product details

  • ISBN 9781644534380
  • Weight: 454g
  • Dimensions: 156 x 235mm
  • Publication Date: 13 Oct 2026
  • Publisher: University of Delaware Press
  • Publication City/Country: US
  • Product Form: Hardback
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Women's Wit on the Early Modern Stage explores the overlooked, gendered challenge posed by heroines and villainesses in comedies, tragedies, and tragicomedies through who displayed their wit through repartee, plotting, and disguise, combining verbal skill with physical action to produce a feminized perspective. The chapters showcase the portrayal of women's wit in the works of Frances Boothby, Aphra Behn, Elizabeth Polwhele, Mary Pix, Catharine Trotter, Delarivier Manley, and Susanna Centlivre, in which female characters criticize authority and address female spectators in the theater, including them as part of an emerging critical discourse on the public stage. As the first-ever scholarly monograph about women's wit in drama before the twentieth century, this book draws attention to the cultural and social role that wit played in the public sphere as a mode of critique, empowerment, and play for women both on and offstage.

Beth Rebecca Cortese is an Associate Professor in English Literature at the University of Iceland, focusing on the Restoration and eighteenth century. She has been published in Restoration and Eighteenth Century Theatre Research journal, Law and Literature, and in the Nordic Journal of Renaissance Studies, and is preparing a new edition of William Wycherley's The Country Wife.

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