Wong Kar-wai

Regular price €21.99
2046
A01=Peter Brunette
alienation
As Tears Go By
Ashes of Time
auteur theory
auteurs
Author_Peter Brunette
Category=ATFB
Chinese auteurs
Chinese film directors
Chungking Express
cinematography
costume dramas
crime thriller
Days of Being Wild
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fallen Angels
film directors
Happy Together
Hong Kong auteurs
Hong Kong film directors
Hong Kong film industry
Hong Kong gangster films
Hong Kong genre films
In the Mood for Love
international auteurs
international film
Maggie Cheung
Peter Brunette film criticism
Peter Brunette film studies
romantic comedy
theme of loss
theme of love
Tony Leung Chiu-wai
twentieth century directors
twenty-first century directors
use of imagery
visual style
Wong Kar-wai actors
Wong Kar-wai actresses
Wong Kar-wai awards
Wong Kar-wai career
Wong Kar-wai collaborators
Wong Kar-wai techniques
Wong Kar-wai themes
Wong Kar-wai visual
wuxia

Product details

  • ISBN 9780252072376
  • Weight: 254g
  • Dimensions: 140 x 210mm
  • Publication Date: 22 Mar 2005
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

Called the leading heir to the great directors of post-WWII Europe and lavished with awards, Wong Kar-wai has redefined perceptions of Hong Kong's film industry. Wong's visual brilliance and emphasis on atmosphere over action have set him apart from peers while earning him an admiring international audience. In the Mood for Love regularly appears on lists of the twenty-first century's greatest films while critics and filmgoers recognize works like Chungking Express and Happy Together as modern classics.

Peter Brunette describes the ways in which Wong's supremely haunting visual films create a new form of cinema by telling a story with stunning, suggestive visual images and audio tracks rather than character, dialogue, and plot. As he shows, Wong's early background in genre film offers fascinating insights on his more studied later works. He also delves into Wong's perennial themes of time, love, and loss and examines the political implications of his films, especially concerning the handover of former British colony Hong Kong to the People's Republic of China.

Peter Brunette was the Reynolds Professor of Film Studies at Wake Forest University. He wrote books on Roberto Rossellini and Michelangelo Antonioni and was the coauthor of Screen/Play: Derrida and Film Theory. He was chief critic for indieWIRE.com and reviewed regularly for the British trade journal, Screen International.