Words and Songs of Bessie Smith, Billie Holiday, and Nina Simone

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A01=Melanie E. Bratcher
african
African Aesthetic
African American Cultural Values
African American Music
African American musicology
African Americans
African diaspora music performance analysis
African Music
African Singing
Afrocentric analysis
Afrocentric Paradigm
american
Author_Melanie E. Bratcher
Billie Holiday
Billie's Blues
Billie’s Blues
Black Aesthetic
Black Music
Black women performers
Category=AVL
Category=AVLP
Category=JBCC1
Category=JBCT
Category=JBSL
Category=JHB
Category=NH
Cd Compilation
cultural memory studies
Dance Senses
Epic Memory
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
high
Holiday's Songs
Holiday’s Songs
Ideological Freedom
Mississippi Goddam
movements
music
Nzuri theory
Pan African aesthetics
performances
Poor Man's Blues
Poor Man’s Blues
priestess
Rhythm Source
Simone's Lyrics
Simone's Songs
simones
Simone’s Lyrics
Simone’s Songs
Smith's Song
Smith’s Song
Song Performances
soul
sound
Sound Motions
Van Sertima

Product details

  • ISBN 9780415540810
  • Weight: 510g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Feb 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book explores the relationship between three African American women's dance-art-music sensibilities within the context of a Pan African aesthetic. Its purpose is three-fold: to show commonalities between Bessie Smith, Billie Holiday and Nina Simone's lives and original compositions; to codify, examine and evaluate their selected song performances in accordance with the Pan African aesthetic "Nzuri theory/model;" and to illuminate the vast sources of transformational values that aesthetic analysis of African American song performance can foster.

Following concordant procedures and principles of Afrocentricity, the study focuses on Smith, Holiday and Simone's performances as part of a whole African artistic and cultural value system. The goal of the Afrocentric methodological structure is to locate relevant African dynamics in songs and to promote knowledge for cultural transformation and continuity. Its use in this study provides meta-criteria for analyzing African American music, which the author has used to uniquely argue connections between African cultural memory and African-derived cultural expression.

Melanie E. Bratcher is a native of Oklahoma and descendent of parents who experienced sharecropping, she is the first in her family to graduate college. As a singer, dancer and scholar, her most relevant publication entitled "Tribute" was performed at the University of Oklahoma where she is Assistant Professor of African & African American Studies.

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