Working Class and Twenty-First-Century British Fiction
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A01=Phil O'Brien
Aspirational Class
Author_Phil O'Brien
Bird's Eye
Bird’s Eye
Category=DSBH
Category=DSBJ
Category=JBSA
class identity
contemporary British class narratives
contemporary capitalism
Contemporary Class Formations
cultural trauma studies
deindustrialisation
demonisation
Drawn Back
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Escapee's Destination
Escapee’s Destination
Great British Class Survey
Hari Kunzru
labor history Britain
literary realism analysis
Merry Hill Shopping Centre
neoliberalism effects
Nuclear Disarmament
Pop Stars
social stratification
State Finance Nexus
twenty-first-century British fiction
UCS
UK's Creative Industry
UK’s Creative Industry
Working Class Muslim
Working Class Writing
working-class resistance
Young Men
Product details
- ISBN 9780367441487
- Weight: 500g
- Dimensions: 152 x 229mm
- Publication Date: 05 Dec 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni Fagan, and Sunjeev Sahota, the book shows how they have mapped the shift from deindustrialisation through to stigmatization of individuals and communities who have experienced profound levels of destabilization and unemployment. O'Brien argues that these novels offer ways of understanding fundamental aspects of contemporary capitalism for the working class in modern Britain, including, class struggle, inequality, trauma, social abjection, racism, and stigmatization, exclusively looking at British working-class literature of the twenty-first century.
Phil O’Brien has written on working-class fiction and theatre for Textual Practice and Literature & History and in Accelerated Times: British Literature in Transition (Cambridge University Press) and Working-Class Writing: Theory & Practice (Palgrave). He is secretary of the Raymond Williams Society, on the editorial board of Key Words, and editor of Culture & Politics (Verso) by Raymond Williams. He has taught at the University of Manchester and Liverpool John Moores University. This is his first book.
