Working in Music on the Semiperiphery

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A01=Emilia Barna
Author_Emilia Barna
autonomy
capitalism
Category=AV
Category=JBSF
Category=JHBL
cultural labour
cultural politics
digital entrepreneurship
emotional labor
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
gatekeeping
gender
gender relations
household
local cultural production
music industries
musical collaboration
platformisation
relational labor
reproductive labor
semiperiphery

Product details

  • ISBN 9789633868461
  • Weight: 520g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Jun 2025
  • Publisher: Central European University Press
  • Publication City/Country: HU
  • Product Form: Hardback
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While music as labor feeds into the capitalist cultural industries, this book proves that in this sector informality greatly permeates and governs power relations and the allocations of resources. The significant level of informal involvement of the household in the creative and reproductive processes is also explored. It is particularly in the semiperipheral context that the relationship between home-based work and paid work is unbalanced: Emilia Barna's field data are from Hungary and range from 2018 to 2021. The same context also implies considerable involvement of the state and its subsidies, as well as the important role of gatekeepers' political capital.

This book embraces the widest possible range of workers in the music industry. It deals with all music genres from high-flying to commercial and observes various workers in the production chain beyond musicians. Niche segments of the sector, such as YouTube-based commercial hip hop, are given special treatment. Using a variety of empirical research methods, the study examines the trends as workers are pushed towards digital entrepreneurship and platform work, on the one hand, and live performance, on the other. The focus on domestic work and informality offers a feminist analysis of work in music. This approach sheds light on gendered divisions of labor and forms of (self-)exploitation that usually remain invisible. The book proposes a new model of cultural autonomy that takes account of the semiperipheral relationship of music industry workers and institutions to both the market and the state.

Emília Barna, PhD is Associate Professor at the Department of Sociology and Communication, Budapest University of Technology and Economics. She is a sociologist and popular music scholar, whose main research areas include the music industries and digitalization, popular music and gender, cultural labor, and popular music and politics.

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