World Literature, Transnational Cinema, and Global Media

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18th Century Play
1970s Film Theorists
A01=Robert Stam
adaptation
ANC Supporter
Author_Robert Stam
Belo Monte
Buarque De Holanda
Category=ATF
Category=DSBH5
Category=JBCC
CGI Effect
Cinema Studies
comparative media theory
cosmopolitan literature analysis
cultural commons studies
Djelal Kadir
DVD Release
Ella Shohat
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Francophone Films
Global Art Films
globalisation in arts
intermediality research
media convergence
Michael Jacksons
Nollywood Films
peripheral modernisms
Pop Star
Postcolonial Studies
Smart Phone
Stam and Shohat
Terra Em Transe
transdisciplinary commons methodology
transnational cinema
Transnational Feminism
transnational literature
Tv Educational Program
Tv Report
Tv Series
Unthinking Eurocentrism
Vice Versa
world cinema
World Literature Canon
World Literature Status

Product details

  • ISBN 9781138369597
  • Weight: 434g
  • Dimensions: 156 x 234mm
  • Publication Date: 22 Feb 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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With extraordinary transnational and transdisciplinary range, World Literature, Transnational Cinema, and Global Media comprehensively explores the genealogies, vocabularies, and concepts orienting the fields within literature, cinema, and media studies.

Orchestrating a layered conversation between arts, disciplines, and media, Stam argues for their "mutual embeddedness" and their shared "in-between" territories. Rather than merely adding to the existing scholarship, the book builds a relational framework through the connectivities within literature, cinema, music, and media that opens up analysis to new categories and concepts, while crossing spatial, temporal, theoretical, disciplinary, and mediatic borders. The book also questions an array of hierarchies: literature over cinema; source novel over adaptation; feature film over documentary; erudite over vernacular culture; Western modernisms over "peripheral" modernisms; classical over popular music; written poetry over sung poetry, and so forth. The book is structured around the concept of the "commons," forming a strong thread which links various struggles against "enclosures" of all kinds, with emphasis on natural, indigenous, cultural, creative, digital, and the transdisciplinary commons.

World Literature, Transnational Cinema, and Global Media is ideal to further the theoretical discussion for those undergraduate and graduate departments in cinema studies, media studies, arts and art history, communications, journalism, and new digital media programs at all levels.

Robert Stam is University Professor at New York University. His books include François Truffaut and Friends; Literature through Film; Film Theory: An Introduction; and (with Ella Shohat) Unthinking Eurocentrism and Race in Translation. With work translated into sixteen languages, he has taught in France, Brazil, Tunisia, Germany, and the UAE.

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