World Music Pedagogy, Volume VII: Teaching World Music in Higher Education

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A01=David G. Hebert
A01=Patricia Shehan Campbell
A01=William J. Coppola
Author_David G. Hebert
Author_Patricia Shehan Campbell
Author_William J. Coppola
Bass Guitar
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Category=AVL
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CIA World Factbook
Creating World Music
cultural diversity
culturally responsive music teaching
Culture-rich musical experiences
El Choclo
enactive listening strategies
Engaged Listening
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ethnomusicology
Gula Gula
higher education
Initial Class Session
intercultural music pedagogy
La Mariposa
Mardi Gras Indian
music education
Music Programs
Neutral Syllable
participatory music practices
Participatory Musicking
Pipa Player
Play Track
Smithsonian Folkways Recordings
social justice in music
Son Jarocho
Teaching World Music
tertiary music instruction
undergraduate curriculum development
Undergraduate Music Major
University music programs
Western European Art Music
wmp
World Music
World Music Courses
World Music Cultures
World Music Pedagogy
World Music Studies

Product details

  • ISBN 9780367231736
  • Weight: 317g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 Aug 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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World Music Pedagogy, Volume VII: Teaching World Music in Higher Education addresses a pedagogical pathway of varied strategies for teaching world music in higher education, offering concrete means for diversifying undergraduate studies through world music culture courses. While the first six volumes in this series have detailed theoretical and applied principles of World Music Pedagogy within K-12 public schools and broader communities, this seventh volume is chiefly concerned with infusing culture-rich musical experiences through world music courses at the tertiary level, presenting a compelling argument for the growing need for such perspectives and approaches.

These chapters include discussions of the logical trajectories of the framework into world music courses, through which the authors seek to challenge the status quo of lecture-only academic courses in some college and university music programs. Unique to this series, each of these chapters illustrates practical procedures for incorporating the WMP framework into sample classes. However, this volume (like the rest of the series) is not a prescriptive "recipe book" of lesson plans. Rather, it seeks to enrich the conversation surrounding cultural diversity in music through philosophically-rooted, social justice-conscious, and practice-oriented perspectives.

William J. Coppola is assistant professor of music education at the University of North Texas. He is co-author of World Music Pedagogy, Volume IV: Instrumental World Music, and is a Smithsonian Folkways World Music Pedagogy certified music educator.

David G. Hebert is a Professor at Western Norway University of Applied Sciences, Professor-II at Lund University, and Manager of Nordic Network for Music Education.

Patricia Shehan Campbell is Donald E. Petersen Professor at the University of Washington. She is editor of the Routledge World Music Pedagogy Series, and board member for Smithsonian Folkways Recordings and the Association for Cultural Equity.

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