World Theories of Theatre

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A01=Glenn A. Odom
Achille Mbembe
Aesthetics
Aime Cesaire
Antipodes
Aristotle
Athol Fugard
Augusto Boal
Author_Glenn A. Odom
Badal Sircar
Bengali Theatre
Bruce Mason
C.L.R. James
Caribbean Literature
Category=ATD
Chikamatsu
Contemporary Indian Theatre
cross-cultural theatre analysis
Cultural Theory
Dalit Literature
Dasarupa Dhanamjaya
decolonial aesthetics
Derek Walcott
Edouard Glissant
English Odes
Enrique Buenaventura
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eq_bestseller
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eq_isMigrated=2
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eq_non-fiction
Ethnogenesis
F. Abiola Irele
Femi Osofisan
Gao Xingjian
Gender
George Lamming
Ghana Drama Studio
global drama theory
Hirata Oriza
Hu Shih
Hybridization
Identity
Indigenous
Indus River Valley
intercultural performance
Interculturalism
Islam
Ivory Coast
Jiao Juyin
Joe De Graft
Jorge Borges
Jorge Dubatti
Kwame Nkrumah
Large Scale Cultural Production
Latin American Literature
Leopold Senghor
Lewis Nkosi
Li Yu
Lu Xun
Luis Valdez
Mao Zedong
Maori Theatre
Maryrose Casey
Modernity
Mohan Rakesh
Nelson Mandela
Njabulo Ndebele
Ong Keng Seng
performance studies
Post-activity Discussion
Postcolonial
Present Day Saudi Arabia
Qu'ran
regional dramatic traditions
Rhustom Barucha
Roberto Schwarz
Roma Potiki
Saadallah Wannous
Satish Alekar
Satoh Makoto
Subaltern
Tadashi Suzuki
Takeuchi Yoshimi
theatre pedagogy
Tsoubouchi Shoyo
Tsuno Kaitaro
Utpal Dutt
Willem Janszoon
World Theatre Theory
Young Man

Product details

  • ISBN 9781138822559
  • Weight: 612g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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World Theories of Theatre expands the horizons of theatrical theory beyond the West, providing the tools essential for a truly global approach to theatre.

Identifying major debates in theatrical theory from around the world, combining discussions of the key theoretical questions facing theatre studies with extended excerpts from primary materials, specific primary materials, case studies and coverage of Southern Africa, the Caribbean, North Africa and the Middle East, Oceania, Latin America, East Asia, and India. The volume is divided into three sections:

  • Theoretical questions, which applies cross-cultural perspectives to key issues from aesthetics to postcolonialism, interculturalism, and globalization.
  • Cultural and literary theory, which is organised by region, presenting a range of theatrical theories in their historical and cultural context.
  • Practical exercises, which provides a brief series of suggestions for physical exploration of these theoretical concepts.

World Theories of Theatre presents fresh, vital ways of thinking about the theatre, highlighting the extraordinary diversity of approaches available to scholars and students of theatre studies.

This volume includes theoretical excerpts from:

  • Zeami Motokiyo
  • Bharata Muni
  • Wole Soyinka
  • Femi Osofisan
  • Uptal Dutt
  • Saadallah Wannous
  • Enrique Buenaventura
  • Derek Walcott
  • Werewere Liking
  • Maryrose Casey
  • Augusto Boal
  • Tadashi Suzuki
  • Jiao Juyin
  • Oriza Hirata
  • Gao Xingjian
  • Roma Potiki
  • Poile Sengupta

Glenn Odom is a senior lecturer in the Department of Drama, Theatre, and Performance at the University of Roehampton.

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