World Was a Mess But His Hair Was Perfect

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2000s British music
A01=Janine Warren
Arctic Monkeys
Author_Janine Warren
Babyshambles
Bloc Party
Category=AVLP
Category=AVP
Category=DNBF
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eq_bestseller
eq_biography-true-stories
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forthcoming
Franz Ferdinand
garage rock revival
indie disco
indie rock
indie sleaze
Kaiser Chiefs
London music scene
Maximo Park
Meet Me In The Bathroom
Mystery Jets
oral history
post-punk revival
rock
The Cribs
The Futureheads
The Libertines
The Long Blondes
The Rakes
The Strokes
The Subways
UK indie

Product details

  • ISBN 9781915841261
  • Dimensions: 138 x 216mm
  • Publication Date: 03 Sep 2026
  • Publisher: Omnibus Press
  • Publication City/Country: GB
  • Product Form: Hardback
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‘The times in this book could be the last blast of UK indie culture as we’ve known it, and Janine was there to tell the whole story’ Johnny Marr

At the turn of the millennium, the UK was nursing a post-Britpop hangover.

The music industry had stagnated, churning out identikit girl groups and boybands in an attempt to manufacture the next big thing. However, on the other side of the Atlantic, something was brewing.

In New York City, The Strokes had exploded onto the underground music scene, igniting a new wave of rock’n’roll. Reverberations were felt back across the pond, and young bands in Britain upped tools to answer the call, putting rock music back on top.

The World Was A Mess But His Hair Was Perfect is an impactful and entertaining social history of the last true indie scene in the UK; a cultural and musical movement born at the dawn of social media, colliding in person on the dance floors of clubs like Optimo and Trash. It was a subculture that celebrated hyper-local and regional scenes, labels and venues across Britain.

Author Janine Warren, a publicist for many of the most influential bands of the time, collates voices from across the scene to form a tapestry of the era, including members of The Libertines, Franz Ferdinand, Bloc Party, Maxïmo Park and The Cribs, alongside pivotal figures such as NME editor Conor McNicholas and producer Paul Epworth.

Warren chronicles the legendary gigs, records, parties, drugs and cheap decadence that coalesced to form a rare, unrepeatable moment when optimism, music and possibility collided.

The result was a chaotic and creative zeitgeist at the dawn of a new century, when youth culture – not major labels – ruled the music industry.



Janine Warren is a writer, educator, journalist, and former publicist who has championed some of the most influential cult artists of the past two decades, working on publicity campaigns for Johnny Marr, Bloc Party, Franz Ferdinand, The Libertines, Marianne Faithfull, Mick Jones, and more. She edited and published the acclaimed anthology Punk Fiction: An Anthology of Short Stories Inspired by Punk, and her music writing has appeared in Record Collector, Loud & Quiet, and Mojo. Alongside her writing, she regularly hosts events with writers, artists, and musicians, and co-curates the Cult Music Film Club at Hebden Bridge's Trades Club. She has also been a guest lecturer on the BA (Hons) Music Journalism course at Southampton Solent University. Janine is based in Lancashire, UK..

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