Writer as Liar

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A01=Guido Almansi
Amorous Longings
Ars Combinatoria
Author_Guido Almansi
Bawdry
Boccaccio
Boccaccio studies
Category=DSBB
Category=DSK
Christopher Robin
combinatorial storytelling
Contemporary Society
Decameron
Divine Comedy
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Extraneous Classroom
Giorgio Padoan
Hundred Acre Wood
Italian Medieval Literature
Le Diable
Le Premier Livre
literary frame analysis
Main Character
Medieval
Medieval Literature
medieval narrative structure analysis
Medieval Political Literature
Metaphor
Modern Structuralism
Narrative
Narrative Area
Narrative Colours
narrative deception
Narrative Technique
Political Literature
Prose
Qualis Artifex Pereo
Religious Medieval Literature
Romance
Self-adjusting Scale
Self-Parody
self-parody fiction
Sexual Symbolism
sexual symbolism literature
Ship Owners
Short Narrative
Symbolism
The Middle Ages
Writer
Writing Theory
Young Man

Product details

  • ISBN 9780367207311
  • Weight: 490g
  • Dimensions: 138 x 216mm
  • Publication Date: 10 Jul 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Originally published in 1975, The Writer as Liar examines the literary game of falsehood as it is portrayed in the Decameron. The book examines how Boccaccio’s collection of tales has a ‘frame’ story, its own built-in key to the art of story-telling, its internal logic of truth and falsehood, as well as its moments of self-parody, pure narrative intrigue and sophisticated sexual symbolism. The book formulates the argument that Boccaccio’s story telling is seen as an artfully malicious operation, depending for its success not on some abstract concept of narrative originality or the accurate depiction of human psychology, but on the combinative assemblage of narrative blocks, which are manipulated by a craftsman who must lie and cheat with raw material in order to produce a living work – therefore depicting the artist as a liar.

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