Writing Back to Modern Art

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A01=Jonathan Harris
abstract
Abstract Expressionism
Abstract Expressionist Painting
Abstract Painting
account
aesthetic evaluation
American Abstract Painting
art criticism theory
Author_Jonathan Harris
Category=GTC
Clark's Accounts
clarks
Clark’s Accounts
complexity in art interpretation
critical modernism in art writing
Cubist Painting
Cubist Pictures
drippaintings
duner
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
Fried Claims
Fried's Account
Fried’s Account
jolie
Large Bathers
Late Cubism
Manet's Art
Manet's Le
Manet's Modernism
Manet's Painting
Manet's Sources
Manet’s Art
Manet’s Le
Manet’s Modernism
Manet’s Painting
Manet’s Sources
Modern Art
modernist
Modernist Painting
Occluded Totality
painting
Paul Gauguin
Picasso's Demoiselles
Picasso’s Demoiselles
Pollock's Art
Pollock's Drip Paintings
Pollock's Paintings
pollocks
Pollock’s Art
Pollock’s Drip Paintings
Pollock’s Paintings
postmodern art discourse
subjectivity in visual analysis
sur
twentieth century art history
Violating

Product details

  • ISBN 9780415324298
  • Weight: 498g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Jun 2005
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Here for the first time is a full-length study of the 'critical modernisms' of the three leading art writers of the second half of the twentieth century, which helps us build a better understanding of the development of modern art writing and its relation to the 'post-modern' in art and society since the 1970s.

Focusing on canonical modern artists such as Manet, Cezanne, Picasso and Pollock, this book provides an important understanding of writing and criticism in modern art for all students and scholars of art theory and art history. Mainstay issues discussed include aesthetic evaluation, subjectivity and meaning in art and art writing. Jonathan Harris examines key discourses and identifies points of significant overlap as well as sharp disjunction between the critics.

Developing the notions of 'good' and 'bad' complexity in modernist criticism, Writing Back to Modern Art creates ways for us to think outside of these discourses of value and meaning and helps us to look at the place that art writing holds in the latter twentieth century and beyond.

Jonathan Harris teaches Art History in the School of Architecture at the University of Liverpool. He has published widely on art and art history, specializing in twentieth-century American art, the rise of the ‘new art history’, and the relations between art history and social theory. His recent publications include Critical Perspectives on Contemporary Painting: Hybridity, Hegemony, Historicism (2003) and The New Art History: A Critical Introduction (Routledge, 2001).

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