Writing for the Green Light

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A01=Scott Kirkpatrick
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Author_Scott Kirkpatrick
breaking into Hollywood screenwriting
cannes
Cannes Film Festival
Category=ATFD
Category=CBVS
contract negotiation strategies
development
Development Execs
Development Executive
entertainment industry careers
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eq_bestseller
eq_dictionaries-language-reference
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eq_nobargain
eq_non-fiction
executives
film
Film Side
Gag Writers
High Concept Idea
Idiot Dialogue
Indie Titles
Main Character
Major Tv
Marche Du Film
newbie
Newbie Writers
novice
Novice Screenwriter
Personal Assistant
Pitch Meeting
Pop Star
production company requirements
screenplay structure
screenwriters
script
script coverage analysis
Smart Phone
spec
Spec Scripts
television writing process
Tv Business
Tv Content
Tv Market
Tv Movie
Tv Series
Tv Writer
writers

Product details

  • ISBN 9781138016460
  • Weight: 303g
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Mar 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Tailor your screenplay to sell. Find out what Hollywood script readers, producers, and studio executives want in a screenplay (and why) from someone who’s been there. Discover what it takes to begin a lasting career as a screenwriter.

Peppered with interviews from established professionals, Writing for the Green Light: How to Make Your Script the One Hollywood Notices gives you a sharp competitive edge by showcasing dozens of everyday events that go on at the studios but are rarely if ever discussed in most screenwriting books. With his behind-the-scenes perspective, Scott Kirkpatrick shows you why the system works the way it does and how you can use its unwritten rules to your advantage. He answers such questions as:

    • Who actually reads your script?
    • How do you pique the interest of studios and decision makers?
    • What do agents, producers, and production companies need in a script?
    • How much is a script worth?
    • What are the best genres for new writers and why?
    • What are real steps you can take to ‘break in’ to television writing?
    • How do you best present or pitch a project without looking desparate?
    • How do you negotiate a contract without an agent?
    • How do you exude confidence and seal your first deal?

These and other insights are sure to give you and your screenplay a leg-up for success in this competitive landscape!

Scott Kirkpatrick is the Director of Distribution for MarVista Entertainment, a Los Angeles based production and distribution company that produces original Lifetime and SyFy channel films, co-produces TV movies with Disney and Nickelodeon, and has managed international TV deals on major franchises including Mighty Morphin Power Rangers, Digimon, and Julius Jr. Scott has also produced and directed TV series and feature films including Eye for an Eye, Muslims in America, and Roadside Massacre.

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