Writing History in Film

Regular price €46.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=William Guynn
Alpes De Haute Provence
Andrei Rublev
Author_William Guynn
belonging
Cambodian Genocide
Case Study
Category=ATFA
characters
cinematic semiotics
Civil War
Contemporary Societies
Dead Men
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Factual Narratives
factual storytelling methods
Figurative Operation
film as historical interpretation
film historiography
historical
Historical Character
Historical Film
historical narrative analysis
Historical Representation
interdisciplinary film studies
Involuntary Testimony
kalatozov
KHMER ROUGE
Khmer Rouge Killing Machine
La Marseillaise
Long Shot
marseillaise
memory studies cinema
mikhail
Napoleon III
narration
Nonfictional Genres
panh
participatory
Participatory Belonging
Renoir's Film
Renoir’s Film
rithy
Rithy Panh
Romanov Dynasty
Traveling Players
Young Man

Product details

  • ISBN 9780415979245
  • Weight: 440g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Jun 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Historical film has been an important genre since the earliest silent films. The French Revolution, the American Civil War, the conquest of the New World, World War II--all have been repeatedly represented in film. But how do we distinguish between fictionalized spectacle and authentic historical representation?

Writing History in Film sets out the narratological, semiological, rhetorical, and philosophical bases for understanding how film can function as a form of historical interpretation and representation. With case studies and an interdisciplinary approach, William Guynn examines the key issues facing film students and scholars, historians, and anyone interested in how we see our historical past.

William Guynn teaches film studies at Sonoma State University where he is a professor in the art department.

More from this author