Writing, Imitation, and Performance

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A01=Irene L. Clark
Author_Irene L. Clark
authorial development
brain
Category=CF
Category=CJ
Category=CJA
Category=DS
Category=GTC
Category=JBCT
Category=JNA
Category=JNM
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Category=NH
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Chameleon Effect
classroom application
Code Meshing
cognitive psychology
Common Language
composition theory
CR
critical thinking
Critical Thinking Improvement
CT
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_history
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eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
expression
Fairy Tales
Genre Awareness
identity formation
Identity Kit
Imitation
Ken Macrorie
metacognitive strategies
Mirror Neurons
neurocognitive writing pedagogy
neuropsychology
neuroscience
Neuroscience Research
pedagogy
performance
Persona
Peter Elbow
plagiarism
Postsecondary Writing
Rhetorical Expectations
Rhetorical Flexibility
Screen Paradigm
selfhood
Structural Imitation
SWE
Vice Versa
World Englishes
writing
writing pedagogy
Writing Studies
Writing Studies Scholars
writing style
writing voice
Young Man

Product details

  • ISBN 9781032051987
  • Weight: 360g
  • Dimensions: 138 x 216mm
  • Publication Date: 02 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book reconsiders imitation as a valuable pedagogical approach in Writing Studies. Countering concerns about product-oriented teaching, formulaic writing, paternalistic or elitist pedagogy, and plagiarism, the book maintains that the use of imitation can offer a writer greater insight and help to develop a clear writerly identity.

Positing that writers often use imitation as a step toward developing new directions, structures, and styles, and that this imitation is indeed a form of performance, the author explores the neuropsychological aspect of imitation to show how it is a valid form of writing instruction. She explains how learning, experience, and role playing are manifested in the brain and influence one’s sense of self, one’s identity. The book emphasizes that imitation can provide students with opportunities to perform habitually as writers, readers, and critical thinkers, enabling them to develop new understandings and confidence in their ability to improve. It also includes suggestions for classroom application, written by Craig A. Meyer.

This book offers important insights for scholars and teachers of writing and composition, education, and communication studies.

Irene L. Clark is Professor of English and Director of Composition at California State University, Northridge, USA. She has published in The Journal of Basic Writing, College Composition and Communication, WPA Writing Program Administration, Composition Forum, WAC Journal, Writing Center Journal, and Journal of Writing Assessment. Her books include Concepts in Composition: Theory and Practice in the Teaching of Writing, 3rd edition (2019). Her recent scholarship focuses on identity, imitation, critical thinking, and neuropsychological research.

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