Into the Cenote with Gloria Anzaldúa

Regular price €102.99
Quantity:
Will Deliver When Available
Shipping & Delivery
A01=Gabriel Hartley
A01=George Hartley
Author_Gabriel Hartley
Author_George Hartley
Category=DS
Category=DSBH
Category=DSK
Category=QRRT
Chicanx studies
Coyolxauhqui imperative
Dark radiance
Decolonial philosophy
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
Geomantic attunement
Gloria Anzaldua
Indigenous cosmologies
Latinx studies
Shamanic poetics

Product details

  • ISBN 9781666970913
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Oct 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Equal parts poetic and philosophical, this innovative study positions Chicana feminist activist, Gloria Anzaldúa’s canonical work as a main departure point for critical meditations on indigeneity, solidarity, and human proximity in the Americas and beyond.
By employing Anzaldúa’s notion of the open wound (una herida abierta), Gabriel Hartley argues against the Western epistemological dominance in extant conceptions of identity constructions, citizenship, belonging and, generally, discriminatory hierarchical social and cultural categorizations. Blending close engagement with Anzaldúa, decolonial thought, indigenous cosmologies, and personal visionary experience, Gabriel Hartley offers a rigorous yet evocative reimagining of darkness as a generative force in fractured times.
Divided into two stages, this book takes Gloria Anzaldúa’s concept of the Coyolxauhqui imperative—dismemberment without final resolution—as its guiding force, refusing narratives of healing that promise closure. Stage I, The Anzaldúan Vortex, follows a geomantic sequence through the Medicine Wheel, the open wound, curanderismo, and a series of goddess figures—Coatlicue, Tlazolteotl, and Coyolxauhqui—understood not as symbols to be interpreted but as chthonic agencies that draw consciousness into recursive descent. Stage II, Into the Cenote, enters the cenote as a living transformation engine rather than a metaphor. Here, Hartley introduces the Cenotehedron and the Š-dimension as structures of descent, perforation, and inversion, culminating in an account of Coyolxauhqui’s dark radiance as a mode of illumination that emerges from fragmentation itself.

George Hartley is retired Professor of English at Ohio University.

More from this author