Writing the Land, Writing Humanity

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A01=Charles M. Pigott
Author_Charles M. Pigott
bioregional studies
Black Sapote
Cardinalis Cardinalis
Category=DSK
Category=JBSL11
Category=NHK
Ceiba Pentandra
Chilam Balam
Common Ground Dove
cultural anthropology
Cyclical Emergence
ecocriticism theory
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Feathered Serpent
Human Ecological Niche
Indigenous knowledge systems
Jaguar
Literary Inhabitation
Maya literary movement analysis
Maya Version
Mesoamerican literature
Ontological Excess
Panthera Onca
Phenomenological Time
Popol Vuh
Primordial Fire
Sapodilla Tree
Sapote Tree
Soul Blindness
Structural Coupling
Sweet Corn
translingual analysis
Vice Versa
White Nosed Coati
White Winged Dove
Yellow Sapote

Product details

  • ISBN 9781032237909
  • Weight: 399g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Maya Literary Renaissance is a growing yet little-known literary phenomenon that can redefine our understanding of "literature" universally. By analyzing eight representative texts of this new and vibrant literary movement, the book argues that the texts present literature as a trans-species phenomenon that is not reducible only to human creativity. Based on detailed textual analysis of the literature in both Maya and Spanish as well as first-hand conversations with the writers themselves, the book develops the first conceptual map of how literature constantly emerges from wider creative patterns in nature. This process, defined as literary inhabitation, is explained by synthesizing core Maya cultural concepts with diverse philosophical, literary, anthropological and biological theories. In the context of the Yucatan Peninsula, where the texts come from, literary inhabitation is presented as an integral part of bioregional becoming, the evolution of the Peninsula as a constantly unfolding dialogue.

Charles M. Pigott is an Assistant Professor of Literature at UDLAP and Quondam Fellow of Hughes Hall (Cambridge). His other publications include "Maize and Semiotic Emergence in a Contemporary Maya Tale" (Tapuya), "The Last Inca: Hegemony and Abjection in an Andean Poetics of Discrimination" (Modern Languages Open) and "Ecological Ethics in Andean Songs" (Studies in American Indian Literatures).

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