Writing the Mountains

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A01=Jens Klenner
aesthetic theory
alpine literature
Alps in literature
Austrian literature
Author_Jens Klenner
Category=DSA
Category=DSM
Category=FXE
comp lit
eco-criticism
environmental humanities
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
Georg Simmel
German literature
Kant
literary aesthetics
literature and philosophy
literature and the environment
material and narrative theory
mountains
narrative forms
nature and culture
post-Enlightenment thought
prose fiction
Swiss literature

Product details

  • ISBN 9798765106518
  • Weight: 240g
  • Dimensions: 136 x 214mm
  • Publication Date: 11 Dec 2025
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
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Writing the Mountains reconsiders the role of mountains in German language fiction from 1800 to the present and argues that in a range of texts, from E.T.A. Hoffmann’s “Die Bergwerke zu Falun” (1819) to Elfriede Jelinek’s Die Kinder der Toten (1995) and beyond, mountains serve as dynamic spaces of material change that generate aesthetic and narrative innovation. In contrast to dominant critical approaches to the Alpine landscape in literature, in which mountain ranges often features as passive settings, or which trace the influence of geographical and geological sciences in literary productions, this study argues for the dynamic role in literature of presumably rigid mineral structures.

In German-language fiction after 1800, the counter-intuitive topology of rocky mountain ranges and unfathomable subterranean depths of the Alpine imaginary functions as a space of exception which appears to reconfirm and radically challenge the foundations of Enlightenment thought. Writing the Mountains reads the mountain range as a rigid yet permeable liminal space. Within this zone, semiotic orders are unsettled, as is the division between organic and inorganic, between the human and the other.

Jens Klenner is Assistant Professor at Bowdoin College, USA, and a Fellow of the German Studies Association. He has written extensively on German studies and philosophy, with one of his most recent works being the edited journal, Sprache und Rache (2019, co-edited with Juliane Prade-Weiss).

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