Writings on Art and Politics

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A01=Boris Groys
aestheticization
afterlife
anthropocene
art and politics
Author_Boris Groys
avant garde
Category=ABA
Category=QDTN
Category=QDTS
cold war
digitalization
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
exhibition
fundamentalism
gnosticism
heterotopia
humanism
immortality
lenin
lincoln
meaning of art
political theology
self production
totalitarianism
trotsky
utopia

Product details

  • ISBN 9781350457843
  • Weight: 334g
  • Dimensions: 156 x 232mm
  • Publication Date: 19 Feb 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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To the philosopher Boris Groys, everything technology produces in the modern world ultimately falls into two categories – it’s art, or it's garbage. Both are useless, defunctionalized objects that simply lie there. The difference between them comes when we immunize art from the destructive power of time to which we devoutly deliver our garbage.

In this collection of essays and interviews, Groys expounds on these paradoxes, taking in art, the dialectic of work, the afterlife, politics, utopia, philosophy, faith, revolution, the avant-garde and digitalization. His philosophical writings critique the political economy of heterotopia, whereas his writings on art concern the things of the afterlife: only the politics of immortality promises salvation from the garbage pit.

Groys sees the history of class struggle as a history of aestheticization - defined by the forms spectators recognize as valuable enough to preserve, which they will fight to the death to preserve from disappearance and nonexistence. Western civilization's tendency to aestheticize politicizes everything. If we can design ourselves as artworks worthy of admiration and care, then can we too survive the ravages of time?

Bringing together previously unpublished texts, newly translated work and interviews, this is a coruscating trip through the complex and challenging philosophical and cultural problems that Boris Groys has made it his life's work to deal with.

Marcus Hurwitz is a philosopher, art critic, and writer whose work engages with the historical avant-garde, Moscow Conceptualism, and installation art alongside contemporary French, German, and Russian philosophy.

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