Xenakis

Regular price €64.99
A01=James Harley
algorithmic music theory
architectural acoustics
Author_James Harley
avant-garde sound structures
Bass Clarinet
Brass Chord
Byzantine Music
Category=AB
Category=AVLA
Category=DNBF
Category=JBCT
Category=NH
Cellular Automata
Chordal Passage
Chromatic Clusters
cluster
Cluster Chord
Col Legno
Concret PH
contemporary music analysis
contours
corbusier
Double Stops
EAM
entities
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Full Ensemble
High Woodwinds
Le Corbusier
Le Sacrifice
mathematical models in composition
melodic
messiaen
Metronome Marking
Mozart's Requiem
Mozart’s Requiem
Musical Acculturation
olivier
Philips Pavilion
Slow Glissandi
sonic
Sonic Entities
sonority
spectral music techniques
stochastic composition
sustained
Sustained Chords
Sustained Sonorities
Tutti Chords
WDR.

Product details

  • ISBN 9780415885386
  • Weight: 430g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Jul 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Xenakis: His Life in Music is a full-length study of the influential contemporary composer Iannis Xenakis. Following the trajectory of Xenakis’s compositional development, James Harley, who studied with Xenakis, presents the works together with clear explanations of the technical and conceptual innovations that shaped them.

Harley examines the relationship between the composer and two early influences: Messiaen and Le Corbusier. Particular attention is paid to analyzing works which were vital to the composer’s creative development, from early, unpublished works to the breakthrough pieces Metastasis and Pithoprakta, through the oft-discussed decade of formalization and the evolving styles of the succeeding three decades.

James Harley, Canadian composer, writer, and educator, has written widely on contemporary music. His articles and reviews have also appeared in The Musical Times, Musicworks, Muzyka, Sonances, Leonardo, and TEMPO. He studied under Xenakis at the Université de Paris and carried out an extended residency at Centre d'Etudes Mathématiques et Automatique Musicales (CEMAMu), where he completed two compositions using the UPIC, Xenakis’s computer music system based on a graphic-design approach to synthesis.