Yoruba Oral Tradition in Islamic Nigeria

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A01=Abdul-Rasheed Na'Allah
Abiola Irele
African Oral
African Oral Tradition
African performance studies
Ancient Mali
Arabic Language
Author_Abdul-Rasheed Na'Allah
Bo Ba
Bolaji Idowu
Category=AVLK
Category=NHTB
Category=NHTD
Category=QRP
Dada Dada Dada
Dadakuada-Islam relationships
Egungun Masquerade
Elder Person
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnopoetics methodology
Ilorin cultural history
Isidore Okpewho
Islam and cultural identity
Islamic Africa
Islamic African oral performance research
Islamic Nigeria
Kwara State
Lead Artist
Lineage Poetry
Ma Ri
Nepa
Ni Mo
Oral Art
oral literature analysis
Oral Poets
Poetry Genre
Ti Pe
traditional poetic forms
Uninvited Guests
Vice Versa
Yoruba oral tradition
Yoruba Traditional Religion

Product details

  • ISBN 9780367787950
  • Weight: 300g
  • Dimensions: 138 x 216mm
  • Publication Date: 31 Mar 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book traces Dàdàkúàdá’s history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa.

Foregrounding the role of Dàdàkúàdá in Ilorin, and of Ilorin in Dàdàkúàdá the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dàdàkúàdá’s relationship with Islam and discusses how the Dàdàkúàdá singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community.

This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.

Abdul-Rasheed Na’Allah is Professor of English and Comparative Poetics and Vice-Chancellor of Kwara State University, Malete, Nigeria. He is co-author of Introduction to African Oral Literature and Performance (2005), and author of Africanity, Islamicity and Performativity (2009), African Discourse in Islam, Oral Traditions, and Performance (2010), Cultural Globalization And Plurality (2011), Globalization, Oral Performance and African Traditional Poetry (2018).

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