Young Soviet Film Makers

Regular price €102.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Jeanne Vronskaya
Age Group_Uncategorized
Age Group_Uncategorized
agitprop theatre
Author_Jeanne Vronskaya
automatic-update
Category1=Non-Fiction
Category=APF
Category=ATF
Category=HBJD
Category=HBTB
Category=JBCT
Category=JFD
Category=JPA
Category=JPFC
Category=NHD
Category=NHTB
Cinema in the Soviet Union
COP=United Kingdom
Delivery_Pre-order
dramatic montage technique
early twentieth century workers theatre
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Filmmaking in Russia
Filmmaking in the Soviet Union
Films in the Soviet Union
History of films in the Soviet Union
Language_English
mass spectacle analysis
Meyerhold Brecht Piscator
PA=Not yet available
political performance studies
Price_€50 to €100
PS=Forthcoming
Russian films
softlaunch
Soviet cinema
Soviet directors
Soviet film directors
Soviet filmmaking
Soviet films
working class culture

Product details

  • ISBN 9781032877792
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Nov 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

Based on theatrical research of unusual depth and enterprise, Theatre as a Weapon (1986) shows how the workers’ theatre of the 1920s and 1930s transformed the social function of theatre. Drawing largely on unpublished sources, it provides lively case studies of workers’ theatre in the USSR, Germany and the United Kingdom. They range from the Russian mass spectacles in front of the Winter Palace, through the thousands of factory and courtyard performances in Germany, to the May Day activities of the Workers’ Theatre Movement all over Britain. The authors worked for many years in political theatre in Britain, Austria and Germany, and they draw on their wide experience to focus on both major theoretical controversies and their practical ramifications. They show how workers’ theatre became an instrument, a weapon, for political change, helping to raise the consciousness of thousands of workers and encouraging them to take action. They describe how worker-actors, musicians, writers and directors formed small, flexible troupes which contributed locally to the day-to-day struggles of their class, while at the same time participating in national and international political campaigns. Developments in dramatic structure are analysed, from the simple review form to the more complex scene-and-song montage. Placing the work of Meyerhold, Eisenstein, Piscator, Brecht and Eisler in this context, the authors demonstrate how the montage principle became the significant factor in the political theatre of this period. The book is illustrated with rare photographs which reflect the atmosphere of those mass movements. Unique in its coverage, Theatre as a Weapon is above all an analysis of how the mirror of realistic theatre was transformed into a dynamic weapon for social change. It fills an important gap in the history of working-class culture.

Jeanne Vronskaya, Russian-born and based in England, was a well-known writer on the cinema.

More from this author