Youth Theatre

Regular price €179.80
A01=Michael Richardson
applied drama education
Author_Michael Richardson
Boal
Category=ATD
Challenging Behaviour
child protection
Child's Welfare
Common Language
creative facilitation skills
devising
drama-based youth development strategies
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
evaluation
Everyday Social Skills
group dynamics in performance
Host Agency
Modern Languages
Munchausen Syndrome
National Youth Theatre
Non-formal Learning
Non-formal Learning Environment
Older Young People
Outward Breath
participatory theatre methods
Personal Development
practitioner reflective practice
Safeguard Children
safeguarding in arts education
Theatre Arts Model
Vocal Folds
Wood Chuck Chuck
workshop
Young Men
youth
Youth Theatre
Youth Theatre Activities
Youth Theatre Participant
Youth Theatre Process
Youth Theatre Projects
Youth Theatre Workshop
Youth Work Practice

Product details

  • ISBN 9781138841017
  • Weight: 362g
  • Dimensions: 138 x 216mm
  • Publication Date: 10 Apr 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Youth Theatre: Drama for Life defines the youth theatre process, by outlining its constituent parts and explaining how these activities work in order to support young people’s development. As well as describing what is done in youth theatre, it also explores why it’s done and how to ensure the best possible outcomes.

The book is in four parts:

  • Part 1 explores the nature and purpose of youth theatre, drawing on Michael Richardson’s extensive personal experience as a practitioner and manager.
  • Part 2 explains, in detail, the youth theatre process: warming up, playing games, voice work, developing skills, devising and the presentation of devised work.
  • Part 3 discusses how to create an appropriate environment within which the youth theatre process can be most effectively applied.
  • Part 4 covers the most common applications of the youth theatre process, namely using it in different education environments; and youth theatre productions and performance.

On top of this, two appendices give a list of over 60 games that are useful to use in youth theatre; and a list of recommended further reading that supports this book.

As well as giving key tips and advice from his own invaluable experience, Richardson offers comments from practitioners and participants on what makes a successful youth theatre experience.

Michael Richardson has worked in youth theatre for over 20 years, has been involved in the training of other practitioners, and in the strategic development of the youth theatre sector in the UK.

Michael Richardson has worked in youth theatre for over twenty years, has been involved in the training of other practitioners, and in the strategic development of the youth theatre sector in the UK.