Zombies, Werewolves, Robots, and Extraterrestrials

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A01=Gerald Large
Actor Training
Author_Gerald Large
Category=AFKP
Category=ATDC
character transformation
Chekhov acting method
embodiment techniques
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
movement analysis
Non-Human
non-human character embodiment exercises
Performance
performance theory
physical theatre

Product details

  • ISBN 9781041071952
  • Weight: 350g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Mar 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Zombies, Werewolves, Robots, and Extraterrestrials provides a broad survey of acting theory and training technique through the lens of the performance of non-human characters found in horror and science fiction film, television, and theatre.

Specifically, the book examines the performance challenges of undead characters (zombies, vampires, Frankenstein’s monster), characters that transform from human to non-human (werewolves, human-flies, Dr. Jekyll/Mr. Hyde, and others), mechanical creatures (robots, androids, cyborgs) and extraterrestrials – and then suggests a wide array of training methods to meet each challenge. Theories and training methods are taken from Michael Chekhov, Vsevolod Meyerhold, Antonin Artaud, Jerzy Grotowski, German Expressionist dance, Tadashi Suzuki, Lev Kuleshov, Jacques Copeau and Jacques Lecoq, Bertolt Brecht, François Delsarte, and others. Each chapter includes numerous actor training exercises of each technique, journaling opportunities for self-reflection, and lists of films to watch and books to read to further one’s knowledge.

This book is an excellent resource for actors, acting teachers, and both academic and professional directors with an interest in broadening their knowledge of actor training, and their skill base as both students and working professionals.

Gerald Large is a Professor of Theater and Drama at Whatcom Community College in Washington State. He holds an MFA in Acting from Ohio University, and a PhD in Theatre and Drama from the University of Wisconsin-Madison.

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