Author: Richard Wagner

Wagner wanted Siegfried, the third music drama in The Ring of the Nibelung, to be the most popular of the cycle. Despite its many beautiful and dra...

Dubai was rapidly transformed by the discovery of oil in the nineteen-fifties. Within a brief period the num­ber of inhabitants rose three hundred ...

Das Rheingold, the opening of Wagner's four-part Ring of Nibelung, stands out as more genteel and picturesque than the others. But it immediately e...

The legend of the Swan Knight who rescues a princess from the forces of pagan evil is one of the foundation myths of Christian Europe. Lohengrin's ...

Things like this are written only for people who have good powers of endurance (so really for nobody!), wrote Wagner about Die Walküre. Yet, as Geo...

From its conception in 1857 to its first performances in 1882, Parsifal represented the culmination of the themes that preoccupied Wagner during th...

These Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera ...

This opera has been described as the longest single smile in the German language. But Roland Matthews indicates that violence is not far beneath th...

'A Landmark in Musical History' is John Luke Rose's title for the introduction to this extraordinary piece of theatre. It belongs to the German tra...

A superb new translation of the libretto to Wagner's Ring cycle'Smiling in sorrowI sing of love'The Ring of the Nibelung, Wagner's epic cycle of fo...

A superb new translation of one of the greatest nineteenth century poems: the libretto to Wagner's Ring cycleThe scale and grandeur of Wagner's The...

Richard Wagners fifteen-hour operatic cycle The Ring of the Nibelung ends with this great music drama. Michael Tanners essay tackles the scale and ...