Bigger: A Literary Life
English
By (author): Trudier Harris
A biography of Native Sons Bigger Thomas that examines his continued relevance in debates over Black men and the violence of racism
Bigger Thomas, the central figure in Richard Wrights novel Native Son (1940), eludes easy categorization. A violent and troubled character who rejects the rules of society, Bigger is both victim and perpetrator, damaged by racism and segregation on the South Side of Chicago, seemingly raping and killing without regrets. His story has electrified readers for more than eight decades, and it continues to galvanize debates around representation, respectability, social justice, and racism in American life.
In this book, distinguished scholar Trudier Harris examines the literary life of Bigger Thomas from his birth to the current day. Harris explores the debates between Black critics and Communist artists in the 1930s and 1940s over the political novel, the censorship of Native Son by white publishers, and the works initial receptionas well as interpretations from Black feminists and Black Power activists in the decades that followed, up to the novels resonance with the Black Lives Matter movement today. Bigger, Harris argues, represents the knotted heart of American racism, damning and unsettling, and still very much with us. See more
Bigger Thomas, the central figure in Richard Wrights novel Native Son (1940), eludes easy categorization. A violent and troubled character who rejects the rules of society, Bigger is both victim and perpetrator, damaged by racism and segregation on the South Side of Chicago, seemingly raping and killing without regrets. His story has electrified readers for more than eight decades, and it continues to galvanize debates around representation, respectability, social justice, and racism in American life.
In this book, distinguished scholar Trudier Harris examines the literary life of Bigger Thomas from his birth to the current day. Harris explores the debates between Black critics and Communist artists in the 1930s and 1940s over the political novel, the censorship of Native Son by white publishers, and the works initial receptionas well as interpretations from Black feminists and Black Power activists in the decades that followed, up to the novels resonance with the Black Lives Matter movement today. Bigger, Harris argues, represents the knotted heart of American racism, damning and unsettling, and still very much with us. See more
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