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A01=Jules Barbey dAurevilly
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Diaboliques: Six Tales of Decadence

English

By (author): Jules Barbey dAurevilly

Translated by: Raymond N. MacKenzie

With its six trenchant tales of perverse love, Diaboliques proved so scandalous on its original appearance in 1874 that it was declared a danger to public morality and seized on the grounds of blasphemy and obscenity. More shocking in our day is how little known this masterpiece of French decadent fiction is, despite its singular brilliance and its profound influence on writers from Charles Baudelaire to Marcel Proust, Oscar Wilde, J. K. Huysmans, and Walter Benjamin. This new, finely calibrated translationthe first in nearly a centuryreturns Jules Barbey dAurevillys signature collection to its rightful place in the ranks of literary fiction that tests the bounds of culture.

Psychologically intense in substance and style, the stories of Diaboliques combine horror, comedy, and irony to explore the affairs and foibles of men and women whose aristocratic world offers neither comfort nor protection from romantic failure or sexual outrage. Conquest and seduction, adultery and revenge, prostitution and murderall are within Barbey d'Aurevilly s purview as he penetrates the darker recesses of the human heart. Raymond N. MacKenzie, whose deft translation captures the complex expression of the original with its unique blend of the literary high and low, also includes an extensive introduction and notes, along with the first-ever translation of Barbey d'Aurevillys late story A Page from History and the important preface to his novel The Last Mistress.


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Product Details
  • Dimensions: 140 x 216mm
  • Publication Date: 08 Oct 2015
  • Publisher: University of Minnesota Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780816696901

About Jules Barbey dAurevilly

Jules Barbey dAurevilly (18081889) is one of the most notorious of decadent writers and the subject of a major critical and popular resurgence in France. His work has been adapted for film most recently by Catherine Breillat (The Last Mistress) and in the fifties by Alexandre Astruc (The Crimson Curtain also the subject of a film planned in the 1920s by André Breton).Raymond N. MacKenzie is professor of English at the University of St. Thomas. His recent translation of Zolas Germinal was a finalist for the PEN Translation Prize and his translation of Madame Bovary was included in the Norton Anthology of Western Literature.

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