Barry Hill's tenth book of poetry selects from his Naked Clay: Drawing from Lucian Freud, which was shortlisted for the Forward Prize, 2013, and described by John Kinsella as a `masterpiece'; Grass Hut Work (2016), his excursion into Hiroshima and Japanese poetry, which Sam Hamill said was `beautiful and quietly powerful'; Lines for Birds (2009) his collaboration with the painter John Wolseley, was acclaimed by Nathaniel Tarn as `a miraculous gift of a book'; The Inland Sea (2001), which David Malouf described as `a mixture of intense contemplation and powerful eroticism'; Ghosting William Buckley (1993), deemed by Barrett Reid a `major work' of `stories, thought and music' from the encounter of a `wild white man' and the indigenous people of the Australian frontier. This Selected also includes recent poetry-lyrical, political and in memoriam.
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Product Details
Weight: 295g
Dimensions: 152 x 229mm
Publication Date: 10 May 2019
Publisher: Shearsman Books
Publication City/Country: United Kingdom
Language: English
ISBN13: 9781848616080
About Barry Hill
Barry Hill was born in Melbourne in 1943 and completed his tertiary education in Melbourne and London where he worked an educational psychologist and a journalist. He has been writing full time since 1975 living by the sea in Queenscliff Victoria. He has won major national awards for poetry history and the essay. Penguin and Faber have anthologized his short fiction and stories have been translated into Chinese and Japanese. He has written many pieces for radio. His libretto Love Strong as Death was performed at The Studio at the Sydney Opera House in 2004. Broken Song: T G H Strehlow and Aboriginal Possession (Knopf 2002) his magnum opus on Australian poetics which won a National Biography Award and the 2004 Tasman-Pacific Bi-Centennial Prize for History has been described as 'one of the great Australian books'; it was reviewed in the TLS in 2003. His poetry has been published in the Kenyon Review The Literary Review and Agenda as well as the major literary magazines in Australia including the annual anthologies Best Australian Poems. In 2008 he won the prestigious Judith Wright Prize for his reflections on revolutionary romanticism Necessity: Poems 1996-2006. Along with As We Draw Ourselves (2007) this book also includes his responses to living in Italy and his Buddhist travels in India and East Asia. Lines for Birds (2011) is a collaboration with the painter John Wolseley. Naked Clay: Drawing from Lucian Freud was his ninth collection and was shortlisted for the Forward Prize in 2012. His tenth collection Grass Hut Work was published by Shearsman in 2016 and was written while he was living in Kyoto researching Peacemongers (UQP 2014) his most recent prose work. Between 1998 and 2008 he was Poetry Editor of the national newspaper The Australian and between 2005 and 2008 he was a Post-Doctoral Fellow at the University of Melbourne. He lives by the sea near the Southern Ocean.