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A01=Liana De Girolami Cheney
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Author_Liana De Girolami Cheney
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Edward Burne-Jones Mythical Paintings: The Pygmalion of the Pre-Raphaelite Painters

3.00 (1 ratings by Goodreads)

English

By (author): Liana De Girolami Cheney

This book focuses on Sir Edward Burne-Jones mythical paintings from 1868 to 1886. His artistic training and traveling experiences, his love for the Greek-sculptress, Maria Zambaco, and his aesthetic sensibility provided the background for these mythical paintings. This book analyzes two main concepts: Burne-Jones assimilation of Neoplatonic ideal beauty as depicted in his solo and narrative paintings, and Burne-Jones fusion of the classical and emblematic traditions in his imagery. See more
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A01=Liana De Girolami CheneyAge Group_UncategorizedAuthor_Liana De Girolami Cheneyautomatic-updateCategory1=Non-FictionCategory=ACVCategory=AFCCategory=DSBCategory=JFSJ1COP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€50 to €100PS=Activesoftlaunch
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Product Details
  • Weight: 540g
  • Dimensions: 155 x 230mm
  • Publication Date: 19 Dec 2013
  • Publisher: Peter Lang Publishing Inc
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9781433118760

About Liana De Girolami Cheney

Liana De Girolami Cheney is presently Investigadora de Historia de Arte SIELAE Universidad de Coruña Spain retired Professor of Art History Chairperson of the Department of Cultural Studies at UMASS Lowell. Dr. Cheney received her BS/BA in psychology and philosophy from the University of Miami Florida her MA in history of art and aesthetics from the University of Miami Florida and her PhD in Italian Renaissance and Baroque from Boston University Massachusetts. Dr. Cheney is a Pre-Raphaelite Renaissance and Mannerism scholar author and coauthor of numerous articles and books including: Botticellis Neo-Platonism Images; Neoplatonism and the Arts; Neoplatonic Aesthetics: Music Literature and the Visual Arts; The Paintings of the Casa Vasari; Readings in Italian Mannerism; The Homes of Giorgio Vasari (English and Italian); Self-Portraits by Women Painters; Essays on Women Artists: «The Most Excellent»; Symbolism in the Arts; Pre-Raphaelitism and Medievalism in the Arts; Giorgio Vasaris Teachers: Sacred and Profane Art; Giuseppe Arcimboldo: The Magic Paintings (English French and German); Giorgio Vasari: pennello pluma e ardore; Giorgio Vasaris Prefaces: Art and Theory; Giorgio Vasaris Artistic and Emblematic Manifestations; and Giorgio Vasari in Context.

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