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Filming for the Future: The Work of Louis van Gasteren

English

By (author): Patricia Pisters

Louis Van Gasteren was one of the most prolific filmmakers in the history of the Netherlands, with a resume that includes nearly eighty documentaries and two feature films-to say nothing of artworks and books.
Filming for the Future offers an extended exploration of Van Gasteren's work and audio-visual world. Patricia Pisters introduces us to a filmmaker who always had his camera ready and was relentless in filming a wide range of topics and events of national and international importance. Fascinated by technology, deeply engaged with politics, and intensely occupied by the traumatic effects of war, Van Gasteren assembled an unparalleled record of life in twentieth-century Amsterdam and beyond. Filming for the Future will be an invaluable source of documentation and analysis of one of the key filmmakers of our time.

The book is accompanied by 3 DVDs by 7 films by Van Gasteren: A New Village on New Land (1960), The House (1961), A Matter of Level (1990), The Price of Survival (2003), Hans Life before Death (1983), Changing Track (2009) and Nema Aviona za Zagreb (2012). See more
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Original price €120.99
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A01=Patricia PistersAge Group_UncategorizedAuthor_Patricia Pistersautomatic-updateCategory1=Non-FictionCategory=APFACOP=NetherlandsDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=Not available (reason unspecified)Price_€100 and abovePS=Activesoftlaunch
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Product Details
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Oct 2016
  • Publisher: Amsterdam University Press
  • Publication City/Country: Netherlands
  • Language: English
  • ISBN13: 9789462980310

About Patricia Pisters

Patricia Pisters is Professor of Film Studies at the University of Amsterdam. Previously she has edited Micropolitics of Media Culture. Reading the Rhizomes of Deleuze and Guattari (2001) and Shooting the Family. Transnational Media and Intercultural Values (2005). She is also an editor for Necsus: European Journal of Media Studies .

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