From Misa to Mise en Scène Fra Francesc Moners Prototype of the Spanish Sacramental Theater of the Fifteenth Century

As both layman and Franciscan friar, the Catalan writer known as Francesc Moner (ca 14631495) is one of the leading exponents of the bilingual (Catalan-Castilian) culture that flourished in Barcelona in the late 1400s. In his approach to Sepultura damor (Burial of Love), Moners longest poem, Peter Cocozzella focuses on the authors ingenious version of a kind of parody that desacralizes but does not desecrate the celebration of the funeral Mass. Cocozzella discovers the aspects of Moners unconventional idea of a theater based on the dramatics of the monologue and on the transformation of the divine ritual into a human analogue of transubstantiation. This allegorical pattern validates the profile of the masterpiece in question as one of the earliest manifestations of the auto sacramental, the distinctive theatrical genre scripted in the language of Castile. The book includes the text of Sepultura and its translation.  See more