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German Operetta on Broadway and in the West End, 19001940

English

By (author): Derek B. Scott

Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 19001940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core. See more
Current price €110.39
Original price €119.99
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A01=Derek B. ScottAge Group_UncategorizedAuthor_Derek B. Scottautomatic-updateCategory1=Non-FictionCategory=ANCategory=AVGC6Category=AVGC9COP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=In stockPrice_€100 and abovePS=Activesoftlaunch
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Product Details
  • Weight: 950g
  • Dimensions: 180 x 252mm
  • Publication Date: 11 Jul 2019
  • Publisher: Cambridge University Press
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781108484589

About Derek B. Scott

Derek B. Scott is Professor of Critical Musicology at the University of Leeds. His books include Sounds of the Metropolis (2008) and Musical Style and Social Meaning (2010). His musical compositions include two symphonies for brass band and an operetta Wilberforce. He has also worked professionally as a singer actor and pianist on radio and TV and in concert hall and theatre. In 2014 he was awarded an Advanced Grant by the European Research Council to fund a five-year project researching the twentieth-century reception of operettas from the German stage on Broadway and in the West End.

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