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Museum Lighting - A Guide for Conservators and Curators

English

By (author): David Saunders

Author David Saunders, former keeper of conservation and scientific research at the British Museum, explores how to balance the conflicting goals of visibility and preservation under a variety of conditions. Beginning with the science of how light, color, and vision function and interact, he proceeds to offer detailed studies of the impact of light on a wide range of objects, including paintings, manuscripts, textiles, bone, leather, and plastics. With analyses of the effects of light on visibility and deterioration, Museum Lighting provides practical information to assist curators, conservators, and other museum professionals in making critical decisions about the display and preservation of objects in their collections. See more
Current price €72.99
Original price €73.99
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A01=David SaundersAge Group_UncategorizedartAuthor_David Saundersautomatic-updateboneCanadian Conservation InstituteCategory1=Non-FictionCategory=ABCategory=ABCCategory=GBCCategory=GLZCategory=GMCCIcollectionscolorconservationCOP=United StatesdamageDelivery_Delivery within 10-20 working daysdestructivedeteriorationEnvironmenteq_art-fashion-photographyeq_isMigrated=2eq_non-fictionfuturegalleriesGarry ThomsonhistoryIICindispensableInfraredInternational InstituteLanguage_EnglishleatherlightmanuscriptsNordiska Akvarellmuseet 2000PA=Availablepaintingsplasticpractical informationPracticepreservationpreventivePrice_€50 to €100PS=ActiveradiationRecommendedsaveSeductivesoftlaunchtextilesultravioletvisibilityvision
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Product Details
  • Weight: 666g
  • Dimensions: 150 x 250mm
  • Publication Date: 18 Feb 2020
  • Publisher: Getty Trust Publications
  • Publication City/Country: US
  • Language: English
  • ISBN13: 9781606066379

About David Saunders

David Saunders is an honorary research fellow at the British Museum, having been keeper of conservation and scientific research there for ten years, until 2015. He was previously in the Scientific Department at the National Gallery in London. He is a fellow of the Society of Antiquaries of London and vice president of the International Institute of Conservation. In 2015-16, he was a guest scholar at the Getty Conservation Institute, conducting the research that underpins much of this book.

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