New Hong Kong Cinema: Transitions to Becoming Chinese in 21st-Century East Asia

Cheung makes a compelling case for looking at current Hong Kong film as a 'cinema of transitions.' Moving away from notions of 'crisis' or 'disappearance,' her argument shifts the terms of analysis of Hong Kong film to focus on social, political, and economic change in relation to the fractured and changing identity of Hong Kong's inhabitants. · Gina Marchetti, University of Hong Kong See more